A fun little project to improve my writing skills :) The story centers around Marvin trying to figure out who he's going to be while dealing with love, loss, and of course, schoolwork.

Two gay Jews an angsty ass writer and a few meticulously chosen writing prompts What could go wrong?

Modern Falsettos AU. ~ Whizzer moves out of New York after highschool, and came back years later. In highschool, he had a few friends: Marvin, Mendel, Trina, Cordelia and Charlotte. They all graduated a year before him. Whizzer didn't have a lot of inspiration his last year. Before, Trina and Marvin were highschool sweethearts. Trina got pregnant their senior year, and Marvin and Trina vowed to stay together.. which broke Whizzers heart. He hooked up with Marvin a few times, and nobody but them knew. Cordelia and Charlotte also dated starting sophomore year. Mendel.. he never really talked to.. but they had alot in common. Once his friends graduated, Whizzer only talked to them for a few more months before they drifted away.. until Whizzer moved back to New York.

Whizzer Brown has always come off as cold, uncaring of what society thinks of him, only caring about sex and money. These things are a protection mechanism. But where did they come from? What was his life like before he met Marvin? Whizzer's number one goal has always been to survive. No matter what it takes, he'll survive as long as he can manage. Even if it means doing things considered unholy by both religious aspects of his parentage. Sleeping around with men, manipulating people and stealing money. As long as he lives. That's all that matters. As a child, he wasn't so, but a fair amount of family issues changes him, for better or for worse. He starts to learn things. He learns how to come to terms with his Sexuality. He learns how to love. He learns to live alone and independently. Most importantly, he learns to be someone other than himself. Someone named Whizzer Brown. And God, Whizzer's a Pretty Boy.

A week after Marvin kicks Whizzer out of the house, Whizzer finally decides it's time to reach out to someone he hasn't talked to in a while hoping for help. Meanwhile, Kevin Price is finally in Orlando, with his best friend Arnold, Nabulungi, and Connor McKinley. When he gets a text from his brother, who he hasn't talked to other than the quick "happy birthday" on occasion or a quick "hey how are you" with a short response, he's of course concerned. He ends up traveling to pick up Whizzer, who he hasn't seen in person for at least a year. Of course, somehow a certain Connor McKinley ends up going with him to pick up his brother, who decides that he's going to get the two ex-mormons together. Whizzer decides it's time to restart, and he ends up going to Uganda with his brother, with occasional visits to the United States. When Whizzer gets a text from Marvin, he feels himself torn, and decides not to respond. They end up going to the U.S, and it's not until Jason texts to tell him he has a baseball game coming up, and would like him to come. Of course, Whizzer sees Marvin there at the game and they somehow end up back together.

Just some Falsettos headcannons!

AU and we will be pretending that AIDS never existed. (Sorry the first few chapters are so short. They get longer the more you read)

a falsettos oneshot that takes place a bit after whizzer's death. marvin's pov. ⚠️trigger warning: suicide

The story of falsettos, but told from Whizzer's POV. The story starts at the beginning of March Of The Falsettos (the act not the song) and continues until the end of the musical. It ends at the end of the musical for obvious reasons. Multiple ships!

Jason has kept a diary ever since his parents divorced and writes in it as often as he can. He writes about anything and everything, including his growing concerns that his Dad isn't as nice to Whizzer as he'd like to think. •• Jason's diary entries from the divorce until a little after Whizzer's death two years later. Chapter Management TW; Domestic Violence, Verbal Abuse, Homophobic Slurs, Alcoholism, Manipulation Covers Act One, Act Two, and the space between