Ever wonder why strong stories from horror masters such as Stephen King or Edgar Allen Poe work so well for multiple audiences? The reason is simple; they stream away from the typical cliché jump scare and try their best to scare the audience in terrifying new ways. They tend to scatter away from the norm expected in the horror genre, which can be translated to multiple clichés found in many other works. From the author that flayed away A Hundred Clichés That Need to Die and crushed One Hundred Clichés That Need to Rest in Peace comes the third edition to the unexpected hit editorial series.

People from the 80s and 90s I rarely see being used as faceclaims.