| BOOK ONE | COMPLETE | [#RBLS finalist - top 7] Rebecca Morley lives a normal life. Well, as normal as a teenage life can be. Boys, friends, makeup . . . They don't matter to her. She's just the freak of her school, the one no one wants around. Growing up as an orphan she was never wanted. She's built up walls to protect herself so she can't be hurt anymore. That all changes when Mikael Bertoz enters her life. At first he's scary in Rebecca's eyes - he's stronger and bigger than anyone she's ever seen and has an aura of darkness surrounding him. But as they weeks go by he's charming and kind. Rebecca's walls threaten to break down. She wants to trust him, but can she? Then her world is turned upside down when the truth of her lineage is revealed. She's not the worthless orphan that no one cares about, she's something more. In the midst of the chaos of finding out who she really is and finally being noticed, Mikael is still a constant in her life. He's there for her even if Rebecca isn't sure he's trying to humiliate her. He's under he skin and Rebecca can't deny it. The more chaotic her life gets, the more Mikael is involved. But is it a good thing or is it detrimental to her?

Birds fly over the streets of Saxet. A sense of despair looms in the air as the Resistance prepares for the annual tests. Seven deadly tests. Designed to kill and leave behind the Survivors, the ones who must be eliminated. With blood on their hands and a grave history with Saxet, Resistance leader Veronica Blanchard, will stop at nothing to find every last one. 16-year-old Mavis Sterling, naïve and unsure of her place in society, is selected to take part in the tests. With her life on the line, Mavis discovers she will do anything to survive. After the tests, Mavis flees to the abandoned city that surrounds Saxet. Battling between the loss of her family and the uncontrollable pull to the dark and mysterious R, Mavis' life will never be the same. As she navigates her new life and what dangers are around every corner, she discovers her hands were not made for playing piano, they were made for throwing knives.

RANKED NUMBER ONE IN SCOTTISH- 5.8.19 RANKED NUMBER ONE IN HIGHLANDER - 27.8.19 "I was a captive, a spoil of war. I was just another jewel in his blood-soaked crown and yet, I wanted to be his." Destined to be her people's Priestess, Bianca has known of nothing for the world save from peace and prayer. That is, until the cruel men from the land across the sea come, slaughtering the land and its people. Only Bianca survives as a spoil of war, a prize for the Scottish clan's Laird, Callum Lockhart. Nothing more than his mere plaything, Bianca must grow used to the cold stone walls of Lockhart castle and is even colder master among the wild moors of Scotland. He is wild, loud and nothing like Bianca has ever seen before. But can a priestess sworn to the old gods ever permit herself to know of love?

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, whereas the earliest periods of time were linear. Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, the fundamental order of the universe. Amongst the most important episodes from the mythic past are the creation myths, in which the gods form the universe out of primordial chaos; the stories of the reign of the sun god Ra upon the earth; and the Osiris myth, concerning the struggles of the gods Osiris, Isis, and Horus against the disruptive god Set. Events from the present that might be regarded as myths include Ra's daily journey through the world and its otherworldly counterpart, the Duat. Recurring themes in these mythic episodes include the conflict between the upholders of maat and the forces of disorder, the importance of the pharaoh in maintaining maat, and the continual death and regeneration of the gods. The details of these sacred events differ greatly from one text to another and often seem contradictory. Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians' understanding of the gods and the world. - 2017 -Completed-