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Lilly Edwards had a perfectly content life. She had the perfect family, the perfect friends, the perfect grades. Ublntil the accident. Waking up from a short term coma that resulted in amnesia, lilly embarks on a path of bad decisions to rediscover who she is.

Ara, the only woman left alive after a plague, is searching for a way to save humanity. She thinks there isn't a man she can trust, until she meets Kaden. ***** A plague has swept over the Earth, killing the majority of the population and every female. Except one. Ara witnessed the horror and destruction, but for the last three years she has survived. Now, desperation and hunger force her out of the mountains and onto a dangerous path; across the flooded downtown and through the gangs of survivors is hope. Ara's father spoke of a clue that could save not just her, but humanity. Then she is captured by a group of men. Despite the seeming kindness of Kaden, a young man her own age, Ara doesn't know if she can trust them. Then again, there's no way she can cross the plague-ridden city on her own. Men. Monsters. Is there a difference? This is the story of The Last She. (This book contains all of The Last She Series - Book 1: The Last She, Book 2: The Last City and Book 3: The Last Creation) [[word count: 250,000-300,000 words]]

Ghostbusters meets X-Men in a creepy urban fantasy adventure! "A pocket watch. She bought a pocket watch and it killed her. And I thought how we died was bad." As far as apartments go, roommates Stella and Charlotte "Bronte" believe theirs to be just fine. Sure, they hate taking the stairs up to the third floor, especially after grocery shopping. And yes, the apartment staff could be a bit nicer. But all things considered, it's not a bad place to live. Until the sudden chills begin, seizing them at inexplicable times. Until Bronte starts to see shadows out of the corner of her eye and Stella begins to hear voices too close, sighs too near to be the culprit of paper-thin walls. Century-old ghosts Oliver and Cyril have seen what happens to mortals forced, unknowingly, to spend time in their company. For the unlucky few, their perceptions change, allowing them to perceive the departed. And not everyone, they know, are strong enough to handle living with the dead. Determined to save Stella and Bronte from the fate that befell their last haunting, Oliver and Cyril must find a way to prevent their perceptions from deepening. But when the two ghosts encounter a dark creature unlike any they've seen before, they might have to rethink their plan. The two girls might be the key to saving their afterlives. Not to mention themselves.

2019 WATTY AWARD WINNER | TO BE PUBLISHED BY 'W BY WATTPAD' IN FALL 2024 Jessie is a twenty first century kinda gal stuck in the Regency Era. Armed with a new university degree and a plane ticket to Paris, the plan was to celebrate graduation in the City of Love, kissing as many drunk French girls (or boys, she's not picky) as she can. Only, she never makes it. Mid-Atlantic, a mysterious accident sends Jessie hurtling to what should be a watery grave. Rescued from the ocean, Jessie is lucky to be alive. Only problem? The crew of the ship she's on is convinced it's a sailing vessel that just narrowly missed out on participating in the Battle of Trafalgar. Stuck in Regency-era England, Jessie is left with no choice but to enter into the services of as a maid and companion in return for what shelter her new employer can provide, and resign herself to a life of quiet servitude and forever hiding her sexuality. What she didn't count on was that her new boss would be Margaret Goodenough - the world famous authoress whose yet-to-be-completed novel was the first lesbian kiss in the history of British Literature, and a clever woman. Clever enough to know her new servant has a secret. Now Jessie is caught. Margaret's own perception of her place in society is transforming, the text of her novel is slowly changing, and Margaret herself is finally unafraid to embrace her own Sapphic desires. Margaret - and her main characters - are turning into irresistibly headstrong and modern women. Jessie must tread the tenuous line between finding her own happiness in a world where she is alone, and accidentally changing the course of history. Should Jessie suppress the manuscript, or is her duty to the woman she's learning to love? What is a twenty first century gal to do? * Cover Photo: Jenn LeBlanc & Getty Images Original Cover by: @RodneyVSmith

I've been writing poetry since the sixth grade and have decided to post them along with some I wrote this year. I am very self conscious about my writing but to become a professional writer I must be more confident with my writing.