These were the words Carmilla was promised even before she became Carmilla, and they had stayed true for all of these centuries. It didn't matter when or where, the vampire was always drawn back home in the end, back to her very first lover, even if the name and face was a bit different every time.
The library sends Carmilla and Laura to an alternate reality. Cool enough. But wait! They end up meeting themselves from a different time, but there's something else that's a little off with these doppelgangers...
Most college students went to the library to study, maybe meet up with friends, and check out a few books. The RONDimwit Squad wasn't like most college students. Their squad of "investi-gay-tors" ran in with witchcraft and sci-fi weaponry to steal magical knowledge from the labyrinthian shelves and anything that might...
Elle wants her life, but Carmilla can't fault her for that. After all, Carmilla wants her life too. With an impasse reached, each of the pair wanting one life between them, Carmilla remembers a story Mother once told her and she decides to bring that story to life by going to Mattie and Ereshkigal to ask for one last...
"I thought she loved me," said Lena. "Don't I know how that feels," Elle replied. "But she didn't," Lena continued. "She never does," Elle finished. Two broken, betrayed women sit together in a world of white to mourn and rage together. No one else in any time or place can understand them now, except each other, a...
Carmilla and Laura muse on the concept of change, phases and metamorphosis and Laura can't help but wonder if Carmilla's attraction to her stems from her own personal metamorphosis. But if that were the case, what was it that Carmilla saw in her? (Just philisophical ramblings, no plot).
What happens when four worlds collide through their mysterious and magical libraries? And what does it all mean?
When she kissed Elle, it was beautiful, but there was always an element of fear within every kiss. When she kissed Laura, only love and determination remained, and that was where the difference between Carmilla's two Great Loves was.
Carmilla wants hot chocolate. And she wants Elle to go with her. It's a good thing Elle just can't resist Carmilla's charms. Fast forward 150 some years. Laura wants hot chocolate. And she wants Carmilla to go with her. It's a good thing Carmilla just can resist Laura's charms. (Laura-Elle comparative fic done through...
All of her life, Elle was taught to believe in and believe that goodness, love, faith and truth would always prevail. But then Carmilla enters her life with a very different lesson. Unfortunately, it turns out to be true. But what if Elle decides to use that to her advantage? (Another Elle descends into madness fic).
Elle is a fighter. She does not go down easily. Her determination has risen throughout her century in Hell. But that was from one simple lesson all that time in Hell taught her: to surrender is to lose all, and she can't afford to do that anymore. Her only option? To never surrender. So she doesn't.
She was placed and left to rot, forgotten, alone and entombed. She remained that way for years and years, until one little action turned it all around and sent this dead girl back to life. (Carmilla or Elle)?
Elle didn't turn evil over night. In fact, she was able to retain her goodness for quite a long time, but even someone as pure as she was bound to crack after enough torture, reminders from the past and future both coming to taunt her in her Hell. She did not go gentle into that good night. She went in raging against...
Contrary to what Carmilla and friends tried to accuse Elle of not knowing, this couldn't be further from the truth. There was, perhaps, no one else quite so acquainted with this lesson than Elle, herself, and accusing her of not knowing it was nothing short of insulting. (Elle-centric fic that just plods through her l...
Carmilla has apologized to and cowed before many gods, religions, monarchs and rulers over her love lives, but in every single time, there was always one particular girl that made standing up with defiance just a bit more possible. (Based off the Abby M. poem "Heaven Above/Below")
Laura manages to drag Carmilla into going to a pumpkin patch with her, then she drags Carmilla into actually carving up one of their purchased pumpkins herself. Why is Carmilla such a softie? Did her steely resolve fade away with her vampirism? She would never truly know... But she supposed it didn't matter. Not as lo...
Everyone knew that Perry had a hard time accepting Lafontaine's transition, but does anyone know WHY?
What was life like for Carmilla before she was turned? Nobody is born a monster, so how does an innocent child become a cruel and conniving vampire? What has to happen in order for a mighty kingdom to fall in only 18 years?
Two very short musings from Book!Camilla wherein we subvert the idea that Laura was Carmilla's epic love because, in all honesty, we really don't know if that's true. It's time we ask Carmilla herself if it is. But what if the answer was no?
After the events of S3, even though Danny has left Kirsch behind, he is not without protection. Thanks to Danny and a promise a friend made to her, Kirsch finds himself a new companion in the form of an initially-reluctant Mel. (Just a look at the friendship of these two).
Nothing in the Carmilla world stays dead, Elle included. Instead, the young woman just cannot bring herself to pass on. Lucky for her, another Sumerian god has offered her another choice. So the girl is back in the game, this time, running through the halls of dreams instead the halls of her schloss. (Because Elle des...
Even though she's down, Elle is not out. Instead, she has a last few choice words for the so-called "heroes" and their "noble" quest to save Carmilla. (Written because Elle should've gotten way more closure than she did!)
As a consolation gift following the events of the Carmilla series, Lafontaine goes out and buys a sexy new hotrod. Perry is less than impressed. Especially given Lafontaine's ridiculous reason for buying such a high-end racer in the first place!
When the chips are down and things are looking dire, some folks turn to fairytales and happy endings to lighten the load. What happens, though, when fairytales are no longer fantastical enough to offer any relief? Well, then you start to write stories all your own!
Contrary to popular belief, Perry didn't spend every second of possession all alone in the dark. On the contrary, sometimes she was very much awake and in those moments, she fought with the strength and determination that would scare even a vampire... or a goddess... which ever her attacker was.
Spending her winter break stuck in the cabin of a cannibalistic Christmas witch with an army of torch-and-pitchfork fiends just outside had not been Perry's ideal vacation. Lafontaine, however, was. And they always knew just what to do to help Perry out, even after the long day had ended. (Just a little Laferry immedi...
Perry was only trying to clean her dorm room when she stumbled upon what looked like her roommate's latest Bio project. But what the heck even was it? It certainly wasn't anything Silas had ever mentioned in its mythology classes!
Just Lafontaine's thoughts as they cope with losing Perry for the whole of S3 because I'm huge Laferry trash.
Perry just wanted everything to be nice and normal. Why was that such a crime? Maybe she would've been happier if she had been a little bit more like the others... But she didn't want to be someone she wasn't! What was a conflicted young woman to do? (Kind of counterpart/alternative look at Perry when compared to "Spe...
All of her life, Perry had just wanted to be special. She wanted to be someone worth remembering, worth loving. Was that too much to as for? Why was she always so down on her luck!?