"The Importance of Being Earnest, A Trivial Comedy for Serious People" is a farcical comedy in which the protagonists maintain fictitious personæ in order to escape burdensome social obligations.

Tessa Young is an 18 year old college student with a simple life, excellent grades, and a sweet boyfriend. She always has things planned out ahead of time, until she meets a rude boy named Hardin, with too many tattoos and piercings who shatters her plans.

A mysterious tunnel stands in Carter's town. Ever since a little girl, she was told to always stay away from the tunnel. Danger lurks inside of it, and that scared Carter. No one was ever able to see the very end of the tunnel; even daylight couldn't shine through it. Now, 19 years old with such curiosity, Carters friends drag her back to her childhood memory, pushing her into peer pressure and forcing her to see what's really in that tunnel. But, little did Carter know, in the tunnel, there lies a deranged and messed up boy waiting for the next one. » Many fictional and creepy sounding creatures. Do not read in the dark and or if you do not favor horror. * REWRITTEN VERSION UPLOADED NOW *

((Currently, I am rewriting this story to fit my current writing style, given this was written when I was in high school and I am in college now. There are a lot of changes, but I am leaving the original because I still like looking back on it. You can find the new & improved rewrite here: https://www.wattpad.com/433738666-an-opera-ghost-a-phantom-of-the-opera-fanfiction )) Florence was supposed to be the first child to Raoul and Christine de Chagny. Sadly, that wasn't the case. From the moment her parents saw her black eyes they knew Raoul was in no way the father. They knew it was the Phantom who had given Christine the child to make them suffer. Raoul, unable to keep this ghost of his past, takes Florence to the Opera Populaire knowing the Phantom still was lurking there as they tried to restore the place.The Phantom was in fact still there and he gladly took his daughter, hoping to raise her to be one of the opera's greatest singers. And as she grew, it was obvious his plans would succeed. But when Florence begins to fall for one of her patrons, will the Phantom allow her to love? *Just so you know, this is not just about the Phantom's daughter, but also about the Phantom himself, the Giry's, and the de Chagny's*