***NOTE: This book is the third and final of this series. If you would like to make sense of this book, please refer back to books one and two. After your opera ghost's grand escape, things- ironically- get more difficult. You try your best given the circumstances... however, considering that the love of your life is on the run, your best doesn't seem to be enough. You wish that you could live life with Erik as you had before, when your little secret resided in the Opera Populaire- but the both of you do your best to continue your lives with one another, even though there'll be hell to pay... and it doesn't help that there's a baby on the way.

After Christine makes her disappearance, you and many other people strive to bring the Opera Populaire back to its former glory... That involves you having to climb your way up the social latter, deal with an investigation on your beloved opera ghost, and make many more relationships with those around you.

While visiting your father's workplace in 19th century France, you find yourself having to rush inside in of the Opera Populaire during a stormy night, for... obvious reasons. And that seemed fine. After all- aside from the sleeping ballerinas and a few other people, there wasn't supposed to be anyone around. Much less, walking around... However, that doesn't seem to be the case. You are quick to be whisked away by a masked stranger. After he fixes you up and allows you to stay the night with him, a powerful friendship begins to spark between the two of you, and you soon become an apprentice to the ever-so-famous opera ghost. You seem to know more about the events in the opera house than anyone else does- Christine Daaé, Joseph Buquet, Meg Giry, and even her own mother. You seem to hold as much knowledge as the man who brought you there. All seems well for a while. The operas, parties, drinking, and love triangles continue on as if nothing happened... That is, until you realize that you're in love with that man clad in black. *** Note: This story begins at around the same time that the musical does - when managers André and Firmin first take charge of the opera house. I tried to stay true to most of the story line, but there will be a few minor changes.