Some paintings are meant to be admired. Others are meant to be feared. Elowynn Mireille Montefiore never expected the old painting in Casa de Aurora's basement to be more than a forgotten relic. When she touches the canvas, she is pulled into the kingdom of Eryndor, where the brooding and feared King Lucien Dravane, a man bound by secrets and sorrow, awaits by the lakeside. One daring rescue awakens a desire and bond between them, a connection tied to the canvas that neither can ignore.

Seraphine Louieche Morriti had it all once: a life of applause, lights, and the freedom to live on her own terms. She left it behind for quiet days in Biella, painting in peace, until the man she had tried to avoid from her past appeared and ended her life. Now she wakes as Serafina, a fragile maid in the grand Falcone estate, living in a body that was never meant to survive. Here, emotions are not hidden. They shimmer in the air around people like invisible colors. All except one. Duke Alessio Falcone is calm, commanding, and terrifyingly unreadable. He wears the face of the man who killed her. As her past and present collide, Seraphine must decide whether her gift can save him or if it will destroy them both.

(A Damsel Chronicles I) During 1789, Adela possessed a rare gift-the power to see the joyful future of anyone she touched. But when a rebellion tore her town apart, she died while fleeing with the Gobernadorcillo's son, only to awaken centuries later in a world she doesn't belong to, living the life of a missing model-actress named Adellana Marie Alcantara. Trapped between two timelines, Adela meets Detective Drake Aurelius Buenavidez, a man who uncannily resembles the one who once died beside her. As they chase the truth behind Adellana's disappearance, Adela must face a world ruled by power, deceit, and fate, where even a damsel reborn across centuries may discover that some destinies can't be escaped.