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When seventeen year-old Runner was sentenced to death for stealing a loaf of bread in MegaCity One, his dreams were literally at an end. But then he opts to sign up for the Remnants of Men, a government sanctioned search for a rumoured fresh water lake beyond a radiated wasteland. At first, it seemed like a second chance to a new life, the transformation from zero to hero. But after an encounter with a rabid gang of men suffering an acute insanity, he soon comes to understand that he is one of many discarded into the wasteland to study the cannibalistic effects of a new drug called the Sixth Sense. Olivia Patterson has had one too many doses of the Sixth Sense and owes a massive debt to a shadowy rebel and loan shark called Death-Throe. Being the daughter of the City's dictator, she knows too well that the gallows awaits any who associates with the rebel. In an attempt to free herself, she acquires an asset in the form of Runner and finds herself always at the edge, for if he survives it means freedom for both, but if he dies...

Jude Turner has a problem. Actually, she has a few of concerning fame, alcohol, rivalries, lifestyle and hiatus. Yet - for the moment - her main affair is a solo album. With the band she'd joined at just fifteen years old going on a break, Jude is left wallowing for over a year until she decides to make that elusive solo album. But she goes one step further when she decides to go deep into the Californian desert to record at a legendary studio. When a musical rivalry as old as time is renewed with The Bends, a band cemented on the tumultuous relationship of Cam and Logan Harrison, she can't seem to find stable footing in this new solo world, let alone enough to stand her own against two obnoxiously arrogant brothers. It could be the album of a lifetime or the nightmare of hers. And Jude is finding that there's a very thin line that separates the two.

And these children who know what they're doing to their bodies is incredibly wrong, yet they keep doing it. It's scary, knowing that no matter what you try, you can never change a person. But keep it in mind, you can alway help them change themselves.

Ariel Fontansia is ten pounds away from total relapse. Since the previous summer, she has been stuck in a vicious cycle of calories, pounds, and inches. Redemption, Maine, isn't another escape -- it's a dead end. With no one to keep her disorder in check and hallucinations of a dead cousin driving her insane, she falls into an isolation that could prove detrimental. Standing in her way is a black-eyed boy with an anger complex: Price Olsen, who wants her to see more than the bad side of his grief. With an absentee father and a mute little sister, he recognizes the signs of someone on the edge. He wants to save Ariel, but up until this point, he's had a nasty penchant for ruining relationships. When her best friend overdoses, Ariel is forced to face the deterioration of her own mind and body. Price, frustrated by his inability to help her, fights the anger that threatens to take an ugly twist. As their fragile friendship teeters, another bruised, broken teenager chasing reconciliation stumbles through their lives. Yet she isn't just another damsel; this girl has a history in Redemption that involves the death of Ariel's cousin. Peaceful lives unraveling, all three discover that Redemption is harboring a secret with dangerous consequences. Now, they will be forced to face their past - and their present - to determine the course of their future. But how far are they willing to go for redemption?

While in the E.R. at Mercy Hospital, Noah meets a strange boy by the name of Tyson, who seems to be a walking contradiction. On the outside he seems cold and distant, yet when he sees Noah in the waiting room with her hand bleeding, he comes over to help her and stays by her side the whole time. When they part that night, both think they'll never see each other again. But, when Noah goes back to school after summer break she finds out that Tyson is the new student. And more surprising still, he acts like he's never seen her before and treats her coldy. Confused, Noah tries to figure out what his deal is, and it does't help that they've been paired together for a class assignment that will take the whole year to complete. ((INITIAL DRAFT))

Charlie doesn't speak, so he paints.

Parker is self destructive and withdrawn. Aspyn is bright-eyed and bubbly. Parker and Aspyn are complete opposites. Even though they are undeniably different; something is pulling them together. *** "Smoking kills, you know." "Exactly." He said as he took another drag of his cigarette.

Dear whoever you might be, I hope someday you'll find this and know that this is everything I didn't say. Copyright © 2015 by CielloMaxin Highest ranking: #11 in Poetry #7 in poetry - 10/9/16 #5 in poetry - 10/11/16 #4 in poetry - 10/29/16 DISCLAIMER: I do not own the photos I use for the covers of my books. All credits belong to their respective owners.

A short collection of modern war poetry 1995 - 2014 Highly personal, this short anthology draws on the writer's experiences as a soldier and officer of the British Army in conflict zones in Europe, Africa, Iraq and Afghanistan. Although, the majority of these poems are previously unpublished, a number were published in the 2011 anthology 'Heroes: 100 Poems from the new generation of war poets' published by Ebury press. The 'Heroes' poems were selected for publication by a panel that included Carol Ann Duffy (the UK Poet Laureate), Simon Rae (Radio 4's 'Poetry Please') and General Lord Dannatt The poem 'Care Under Fire' was featured on BBC TV's 'The One Show'. Please be warned: the poem 'Convoy Stop' contains what many regard as the most offensive word in the English language.