Tiana is a 21 year old woman with a 3 year old son name keon. she has her own hair salon, which brings in good money so her and her son is living large.but one thing she never had was true love .. but maybe that could change. King is a Big time drugs Lord the brings in millions a week. His motto is to fuck bitch and get money . but that all could change. what happens when the two cross paths?

Being a part of a close-knit group of friends has its perks. You share laughs together, you have fun together. Everything is always so perfect...until it isn't. Trust is broken, friendships begin to diminish. Lies are told and loyalty is unheard of. Turning on one another, one by one, until there is nothing left. What will the outcome be?

Continue on in the unique and surprising life of Tracey Howard. (DOWN ASS CHICK PART 2) This is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used factiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental and not intended by the author. Copyright © 2013 by xxmuahmuahxx All rights reserved under International and Pan-American Conventions as well as the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Tracey came from a home with an abusive mother and a rapist for a stepfather. When she falls in love with kingpin Raheem, she is intrigued by the life, money, and items he can provide for her. She will do anything to make sure nobody messes with her man or money. Tracey is a Down Ass Chick. This is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used factiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental and not intended by the author. Copyright © 2013 by xxmuahmuahxx All rights reserved under International and Pan-American Conventions as well as the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

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