Melissa Crawford thinks she's just a regular teenage girl. She goes to school. She has friends, boy problems, homework...you know, the typical teenage angst. But she couldn't be more wrong, for Melissa Crawford is not a mortal. Her adoptive mortal mother refused to give her up and hired a witch to erase the enchanting Faery child's memory, not realizing that things aren't that simple. You see, when she was a little girl, Melissa promised herself forever to her Leannan Sidhe (mate), a Fae Prince, and a promise to Fae is sacred. When the Fae Prince comes back to claim what's his, nothing will get in his way. "Mortals are so arrogant. So utterly narcissistic to think that they are the only intelligence in this world, to believe their realm is the only realm, their way is the only way. "Many of you believe us fairies only exist in little kids' fairy tales. We are so much more than that. We exist, living in the Realm just a blink away from yours. A few wrong turns in the park or the forest and you're there. We sometimes walk among you, and you're not even aware of it. Believe me, we exist. Across the globe, your kind calls us and our realm by different names...but as William Shakespeare once said- a rose by any other name..."

Long ago, in a small town called Asteaia, a baby - very different from any other - was born. Discarded by his mother and shunned by the town he lived in, the boy grew up in misery, darkness and pain. One day, the boy runs into the dark and mysterious forest which surrounds one side of his town and life as he knows it changes, forever.

The world had gone to hell long ago, taken over by the vampire race. In order to keep some sort of peace in our land, the Vampire Lords made a consecutive agreement. The rich and powerful humans could survive just as they had been, untouched by the vampires save for the occasional blood collections, or so they thought In reality, we were all under their control. Castles spread out throughout our land, one landing in each city. Each castle varied in the number of vampires residing there, but all of them carried a Lord. The Lords were the ones in charge in every city, whether we liked it or not. The vampires often roam through the city, making sure that everyone was in order and no one stepped out of line. If you stepped out of line, you died, end of story. Even if the rich were still under their control, their lives were still better than the poor. The poorest lives held a much worse fate. The men were to be put to work as slaves, whether that meant serving a specific vampire, or just building their castles, they were slaves. The women were to be pets. Pets were the lowest rank you could have. They were forced into cages that were too small to stand in with collars around their necks. They spent their lives in pet shops, just waiting for the dreadful day that they'll be bought. They were treated like animals, trained into what their master wanted, and punished if they misbehaved. Those who were lucky enough to live through that, we're to be slaughtered for their blood at age twenty-five in an act to make sure that our population would stay steady. I was born into this world. Born into this world full of blood-sucking monsters. Except, I was one of the lucky ones. Was. It all ended for me when I was 12, when I was taken away from the last bit of hope and family that I had left. Ever since then, I've lived in a cage, just rotting away, waiting, dreading for the day that some monster would make me his. This is my life. I am a pet. ~~~ Cover by: @mshacake

This is the completely rewritten second edition of Unbecoming Humans. It's bigger, it's gayer, it's everything the first edition deserved to be. Please note that this rewrite is currently in progress. The end of the current rewritten chapters will be marked. With civilization on the brink of collapse, Aria's parents built Eden to be the cradle of the next evolution of humanity, but survival at Eden is far from guaranteed. Aria has been little more than a puppet in her parents' games of genetic experimentation and control over the next iteration of humanity for almost as long as she can remember. When Aria meets Nima, the latest in a long line of victims lured to Eden by the promise of safety, a spark rekindles her cold heart. Aria can't sit idly by while Nima becomes her parents' next prey. The two must find a way to survive Eden's deadly experiments, or risk the greatest love they've ever known.

Dawn, half human, half wolf hasn't been able to change all the while at the time to find a mate. She has to be able to change and have a mate by her 18th birthday in order to become alpha.

Cam spends most of her time at home, her days are dull, her life is not going anywhere and she's trapped in her total indifference towards the world. That is until her new neighbor comes knocking on her front door and slowly becomes the only distraction in Cam's mind.

Leaving behind everything she's ever known, Emilee enters a world of high glamour and even higher stakes. The new freedom that comes with being a part of the Famoux is intoxicating, but behind the perfect image lies an ugly truth - being popular is a matter of life or death. ***** Out of the wreckage of environmental collapse, the country of Delicatum emerged. Its most popular celebrities are the Famoux, uniquely beautiful stars of a reality TV show called the Fishbowl. In a world still recovering from catastrophe, they provide a 24/7 distraction. Sixteen-year-old Emilee Laurence is obsessed with the Famoux - they provide a refuge from her troubled home life and the bullies at school. When she receives an unimaginable offer to become a member herself, she takes it. But soon she realizes that fame can be deadly... Content and trigger warning: This story depicts mental health issues and contains scenes of violence. [[word count: 350,000-400,000 words]]

Shakespeare's Sonnets is the title of a collection of 154 sonnets by William Shakespeare, which covers themes such as the passage of time, love, beauty and mortality. The first 126 sonnets are addressed to a young man; the last 28 to a woman. The sonnets are almost all constructed from three quatrains, which are four-line stanzas, and a final couplet composed in iambic pentameter. This is also the meter used extensively in Shakespeare's plays. The rhyme scheme is abab cdcd efef gg. Sonnets using this scheme are known as Shakespearean sonnets. Often, the beginning of the third quatrain marks the volta ("turn"), or the line in which the mood of the poem shifts, and the poet expresses a revelation or epiphany.

"Kiss me" she whispered "I can't do that" "Why not" she asked, her brows furrowed as she looked at me. I could almost laugh at how cute she looked "Because, you're supposed to kiss me first" ---------------------------------------------- Characters are continued from Daughter of Lucifer, please read DOL before starting this because you'll be highly confused