Sometimes the side chick is better.

Violet had always been different, and she knew this. Some would say she's funny. Others would say she's vicious. Those close to her would know, Violet Peters, is nothing but Bizzare. Violet, however, isn't the only force to be reckoned with; as we also step into the lives of her, and her squad - in the Bizzare settings of South London.

This is the early child hood of the infamous Varo from the "Thug Love" Series. Go through the flashback of his childhood and how he proved to be; Oakland's Baddest

Again, we made it to yet another sequel. Just when you thought the gang had settled down, it's time to let the next generation of Thugs take over and keep the legacy going. -Miss_Hoodnificent

Sweet as candy, evil as sin, you would never guess Fatema Andrews was living a double life. After meeting Kylan Taylor out of fate, she isn't too nice to him at first but that's what he likes the most. Fatema juggles college classes during the day and sins more than the devil at night. Coming from a notorious family of an Italian mobster and being one of the most dangerous female hitmen alive, she must figure out ways to keep her double life under wraps. A beast would be an understatement to describe her, Fatema is more like a savage. And to her, being at the top of her game, she has no time for love or anyone to get in her way of her money. Growing up in poverty, in Queens New York, Kylan Taylor was exposed to many different situations. One thing he knows how to do is take care of himself and his family, if need be. A father in the military and a mother who had an addiction, he's willing to go to any length necessary to keep his family safe and to survive in the dog eat dog world. Kylan learned at an early age that not all things that you love will stick around. What will happen when skeletons start falling out of closets? When the two meet, will Kylan be able to give up his terrible perception on love? Will Fatema let her guard down and let love in? Walk the streets of the city that never sleeps to see if savages can really fall in love.

Maydah Ahmad was never a normal girl. Ever since she was a young girl, it was clear to tell she was made for something bigger, something better.. But than her mother died, leaving Maydah and her father to cope on their own. After that her life was never the same. Albeit all the obstacles that stood in her way, and without a mother to explain it to her, Maydah still made her decision to wear a hijab (headgear) and faced the difficulties of bullies all on her own. Mysteries after mysteries began to unfold right before her eyes, and her already complicated life twisted into real life nightmare, and so she let the world know of her journey through her journal of a teenage Muslim. Join Maydah as she battles her way through her teenage years, and may finally find victory in all that she believed.

Tracey and Raheem are changing with time. Their bond is getting stronger, but their opinions on the lifestyle could not be more different. Tracey is on her way to becoming a working woman, while Raheem is still the man he was when she met him. A new man makes her question whether she still wants the same things she is use to , while an old flame has Raheem's attention again. Not to mention, they still have a certain NBA star for an enemy and many others from their old hood. Will their love withstand the trials? Everyone wont make it out alive this time, friendships will be broken in time's path. Not to mention the lies and deceit that are to come. Sit back and watch as everything unfolds.

Continue on in the unique and surprising life of Tracey Howard. (DOWN ASS CHICK PART 2) This is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used factiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental and not intended by the author. Copyright © 2013 by xxmuahmuahxx All rights reserved under International and Pan-American Conventions as well as the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.