*Currently undergoing major rewrite* Alina is somehow transported to an opera house in the 19th century. She soon finds at the opera house is the same one from story 'The Phantom of the opera' , she soon finds out that the phantom himself may be her way of getting home. However things get confusing when Alina becomes unsure what time has her true home. BASED MAINLY ON BOTH ANDREW LLOYD WEBBER'S MUSICAL AND GASTON LEROUX 'S BOOK, WITH INFLUENCE FROM SUSAN KAY'S BOOK AND THE 1990 MINI SERIES WITH CHARLES DANCE

VANITY FAIR by William Makepeace Thackeray Published 1848 Summary: The novel deals mainly with the interwoven fortunes of two women, the wellborn, passive Amelia Sedley and the ambitious, essentially amoral Becky Sharp, the latter perhaps the most memorable character Thackeray created. The adventuress Becky is the novel's central character and the person around whom all the actors revolve. Amelia marries George Osborne, but George, just before he is killed at the Battle of Waterloo, is ready to desert his young wife for Becky, who has fought her way up through society to marriage with Rawdon Crawley, a young officer from an aristocratic family. Crawley, disillusioned, finally leaves Becky, and in the end virtue apparently triumphs when Amelia marries her lifelong admirer, Captain William Dobbin, and Becky settles down to genteel living and charitable works. The rich movement and colour of this panorama of early 19th-century society make Vanity Fair Thackeray's greatest achievement; the narrative skill, subtle characterization, and descriptive power make it one of the outstanding novels of its period.

Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence, originally published by B.W. Huebsch Publishers. The Modern Library placed it ninth on their list of the 100 best novels of the 20th century. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement.

Lady Chatterley's Lover is a novel by D. H. Lawrence, first published privately in 1928 in Italy, and in 1929 in France and Australia. An unexpurgated edition was not published openly in the United Kingdom until 1960, when it was the subject of a watershed obscenity trial against the publisher Penguin Books. Penguin won the case, and quickly sold 3 million copies. The book was also banned for obscenity in the United States, Canada, Australia, India and Japan. The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words.

There is no night in the Everburning City. There can never be. Also, the Everburning City is a fairly complicated thing. Even as the author, I need copious amounts of notes to keep it all together. For any reader of the expanding series taking place in the City, I suspect the details can be a bit daunting. To that end, I'll begin adding to this handy guidebook. (Mostly) spoiler free, with a focus on answering the requests of anyone willing to spend their time on these tales. Burn brightly

There is no night in the Everburning City. There can never be. Malice hides behind tragedy, as a conspiracy begins to gather steam. Natalia Casper, reporter for the Tributary, risks more than her reputation as she finds herself chasing plots that reach from High Central to the furthest walls. Adrian Keates, fleeing a life of crime, takes refuge in the one place in the City with strength enough to drive off even the hardened thugs of the Undercity, and finds himself tutored by a legend of the City's army. Tabitha a'Loria, already summoned to fight hellfire and insanity, is forced to hunt for someone who unwittingly holds dangerous secrets. Secrets that could either tear the City apart, or offer it the first hope it has known since the Founding.

There is no night in the Everburning City. There can never be. Fourteen people lie dead on the platform of Billows Station, killed by fire and rage. And as the perpetrator hides within the millions of people who inhabit the City, the task of finding this murder falls to Inspector Samuel B Fraser. Aided by a grateful Bureau of Oversight, his investigation will reach deep into the mysteries that brought a young man to the madness of desperation, and beyond into secrets that some powers would rather stay buried. Cover art by the superbly generous Narcisse Navarre @inksorcery

Night marches on the Everburning City. The life-killing mist enshrouding the world, the Gloam, clings to the walls. Golems, towering monsters of stone, shake the earth as they march. And the dead rise again, puppeteered by some distant, titanic power. For Corporal Valen Redgrave, on the watch at the outermost walls of the City, the night marks the end of the military life he has known. The idyllic simpering of the watch has ended, and Valen finds himself the pillar upon which his companions' courage rests. For Gwendolyn Aranhall, stewarding a work rehabilitation camp for youth guilty of petty crimes, the night heralds the dismantling of everything she has known. As the Gloam claims the world around her, and she becomes the last thing standing between children and monsters, she finds in herself a heart unbroken by her fear. And that resilience will see darker responsibilities laid upon her. For Crafter Olivia Polden, the fire she commands and the red coat she wears represents the single greatest power in the City. Weirder of a power that could doom the City as surely as the foes marching upon it, she will stand first among those sent to halt the invasion. And only then, begin to learn how to live with despair. There is no night in the Everburning City. There can never be. (Cover courtesy of Mahana258)

There is no night in the Everburning City. There can never be. ***** For four hundred years the Everburning City has withstood the advance of the life-strangling fog known as the Gloam. Its walls have held back five invasions, but on the eve of the sixth, the city's inhabitants know things have changed. Golems are coming out of the mist, and the bodies of the dead are rising at the Gloam's bidding. The city's last and most desperate line of defence comes in the form of the Crafters, individuals who can channel the power of fire, though they risk their sanity each time they do. The brightest of these valiant heroes are Tabitha a'Loria and her apprentice Gerald Reath. Risking their lives, they mount their airships, determined to save the last bastion of humanity - the Everburning City. [[word count: 100,000-150,000 words]]

"I am Unnamed. My title is dead." In the World, the Planet, and the Base, it's either be number one or die. The alternative to dying, however, is to become an Unnamed. Turning eighteen means that you will compete for your name. Come out on top, you get a name and continue to the next two stages. Don't win, become one of the Unnamed. And no one knows what happens to the Unnamed. Running is easy for the Runner. He's been doing it since he was five. Easy, until things start happening, abnormal things. People aren't finishing their races. Others are acting strange. Easy, until the Runner has to become an Unnamed to find out what's going on. He has no name, but he has a title. The Runner. That's all he is in the midst of Runners. He'll get a name, yes. But not until his birthday. Not until the Competitions. Not until things are back to normal. Not until he earns it. Can he do it? Run. For your life. For your name. Don't become an Unnamed. | BOOK 1 OF THE UNNAMED DUOLOGY