Christopher Maurice Brown had everything: money, intellect, legacy. As first heir to the infamous Brown dynasty, power wasn't something he earned, it was his birthright. A master manipulator with a gift for reading people like books, he didn't just succeed in business-he dominated it. But behind every deal, every smile, every carefully curated façade, there was only one thought that truly consumed him: his wife Mea. She was never just a lover. She was the obsession. His axis. His mirror. At first, she adored him, drawn in by his brilliance and charm. But affection turned to suspicion, and suspicion turned to horror as she unraveled the truth: a labyrinth of lies, surveillance, and a string of sidechicks and homewreckers. She tried to leave. He didn't let her. He followed her. Called at 3:00 a.m. Left gifts in locked apartments. Whispered her name through the walls. He called it love. The police called it predatory psychosis. And when the line finally snapped, it was Mea herself, armed with his own psychological tricks, who testified against him in court and had him committed to a high-security psychiatric asylum. Everyone thought that was the end of him. They were wrong. He escaped. Two months later, Mea lives in a new city under a new identity, Victoria Rosewood, her past buried, her trauma stitched together with therapy and distance. But he never stopped watching. Never stopped planning. Never stopped loving her in the way only a man obsessed can. Now he's back. And this time, it's not about getting her back. It's about making her feel everything he felt. The betrayal. The rejection. The humiliation. He doesn't want her love-he wants her shattered. Isolated. Hollowed out. A shell, just like he became without her. In his twisted world, this isn't revenge. It's balance. Because in Chris's mind, she didn't leave-she dismantled him. And in the Brown dynasty, ruin isn't mourned. It's repaid. In full. And without mercy.

‎ ‎ ‎ ‎ ‎ The TV series "Strippers Need Love Too" follows Ecstasy Haynes, a vivacious Bajan bombshell in Atlanta's most notorious strip scene, determined to turn her stage persona into a real future. At just 23, she wants it all: money, status, and true love. But when a shocking massacre brings chaos to the club and forces its sudden closure, her fast-track to financial freedom is cut short, leaving her scrambling for a new plan in a world that sees her as disposable. Torn between two fascinating men--Diondre Walker, a talented, charismatic entrepreneur with a messy past, and Zeus Garza, a high-profile, Trinidadian male model whose allure is as dangerous as it is irresistible--Ecstasy finds herself walking a thin line between desire and destruction. Both men want her, and neither of them will back down. The deeper she falls, the more her ambition threatens to drown in a sea of fixation, betrayal, and bloodshed. This is more than just your average love triangle; this is survival, where every dollar, every dance, and every decision could cost her everything. In a universe where strippers are underestimated and men play dirty, Ecstasy's greatest weapon isn't her beauty; it's her ability to outsmart the game. @GLOSSNEILES ON THE COVER ART.

First time we fucked, we ain't really plan it.. But now I'll be making love to you through him...

He leaned back, looking at her face again before his fingers slid under her chin, lifting it so she had no choice but to meet his eyes. "You love me." He said, shaking his head in mock sympathy. "& that's the most reckless thing you could've ever done." His grip tightened slightly under her jaw, not hard enough to hurt, just enough to remind her that he could. His thumb grazed her jaw, slower this time, respectful almost. "Love doesn't make me weak, baby. It makes me more dangerous. Because I love you back, meaning I now have something to lose." He leaned in until his lips hovered just above hers, their breath mingling. "& I don't like that. Not having shit to lose is what kept me untouchable, now I got a weakness & now we gotta die holding hands because you ain't doing this shit without me & I ain't doing it without you. So, Naytiri, you sure you wanna bleed for me?"