Historias de Bengal

Imteha-E-Ishq🥀 Dr. Edward And Meherunnesa. Set against the backdrop of aristocratic zamindari tradition and rigid social norms, a quiet connection sparks between an isolated zamindar's daughter and Dr. Edward, a British physician entering her sheltered world. Beneath his colonial demeanor lies a deeply hidden personal truth. What begins as a subtle encounter through veiled partitions soon deepens into an unspoken bond, challenging every boundary of status and culture. Surrounded by family pride and social opposition, both are drawn into a profound test of love and identity. The Book Is Primarily Written In Bangla And Translated intoo English. In Bengali- On Poddoja App and Facebook Page- পদ্মলেখা- Poddolekha In English - On WATTPAD

1920s Bengal, British India. Aarav's secret life now catches up to him, he can't seem to get a break.

she was a scattered palette filled with every colour and he was the calm painter who envisioned the whole world through her on his canvas. A tale set in the late 1800s, India when feminism was a taboo while patriarchy and misogyny was a norm. Labanya, an eight year old girl who was a little too curious for her age and gender was tied to Rudrajit, an eleven year old boy who was a bit too composed and soft for his age and gender by the sacred bond of marriage. What would this marriage bring about in the lives of these young souls who were yet to discover their own selves? N.B - This story revolves not only around the romance between the two main character but also focuses on the important aspects and lessons that one could learn from this story by living through the characters and their mindsets while also getting to know about the very different environment of those time. I do not intend to impersonate or resemble any real personalities through my story as it's purely my imagination. Mention of real places and a few historic personalities are there just to add depth to the story and make it realistic.

"Where do your loyalties truly lie, Chitrasakhi?" The girl had no answer to that. The year was 1902 in Bengal. Tensions between the colonisers and the colonised were high with the threat of partition looming around the corner. Amidst all, Chitrasakhi Devi, a zamindar's daughter, yearned for her country's freedom after an incident shook the very core of her being. Arthur Harrington, a commissioner's son, lived a life bound by duty and obligation. What happens when he falls for the forbidden? What happens when the two contrasting worlds unite in a marriage? How does Chitrasakhi earn the trust of her countrymen after such a scandalous marriage? How does she navigate a system built to destroy her? What happens when she forms traitorous feelings of affection for Arthur? Where does her loyalty lie?

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"Mujhe sabse bura tumhari yeh ankhein lagta hai. Kyunki ki main jitna bhi inme dekhna chahun, mujhe kuch Dikhta hi nahi hai. Aur mujhe sabse jyada pasand tumhari yeh ankhein hai. Kyunki ki main jitna bhi dekhna chahun mujhe Kuch Dikhta hi nahi hai." - Dil Se " Tumhari aankhein, keh deti hai sab kuch " - Swadesh -------------------------------------------------- A bollywood buff, Kiriti Panigrahi, was engrossed in watching his all time favorite movie, his stress buster and reward for any great achievement, Dil Se, where his hearthrob, Monisha Koirala, was ignoring her love for The King of Romance, emperor of Bollywood, Shahrukh Khan. ................................................................................. Krishnaa Hazarika, composing a poem, sitting in the offerings arena of Mahadev temple on Mahadev Tila. Framing lines, where she is expressing her love for her imaginary boyfriend, listening to her all time favorite song " MERE KHWABO ME JO AYEIN" from the movie, DDLJ. She donated her heart to Shahrukh Khan when she watched his movie, Swadesh, for the first time. .................................................................................. Hey, What? Do you think "RAB NE BANA DI JODI?" A big NO . In this situation, authour ne Bana Di Jodi. But " PICTURE TOH ABHI BAKI HAI MERE DOST" My hero belongs to the Brahmin family of Contai, East Medinipur, West Bengal and my heroine hails from Jatinga, Dima Hasao, Assam and cherry on top, she belongs to a lower cast then my hero. Will they ever fall in love ? Is there any chance of their love to bloom, despite of the differences of their backgrounds? -------------------------------------------------- Welcome back my dear beautiful readers, I am Golpokatha. Here I present a completely different love story, where the protagonists are bound to meet and to know the rest, DELVE IN THIS STORY NOW 😆😆 Your loving author, Golpokatha, Signing off.

During a routine move into a new London house, fifteen-year-old Meera Bose uncovers a fragile poem hidden inside an old box carried over from her former apartment. Written in elegant hand on fine French paper, the verse addresses an unnamed Lady of the Veena and speaks of lamps, learning, and a pearl preserved through hunger and night. Its language is devotional, yet its imagery unsettles. The poem seems to remember something no one alive can fully explain. What begins as idle curiosity soon gathers weight. As Meera shares the poem with her parents, fragments of family memory stir, drawing them back to Kolkata and beyond, into conversations half-finished, histories half-forgotten, and places long avoided. The poem appears to be older than expected, its clues scattered across libraries, river towns, and an ancestral house standing between decay and desire. As Meera and her cousins follow its trail, they discover that the poem is not merely inherited but contested. Competing interpretations emerge, along with pressures both intimate and external. Some see promise, others profit. Some wish the past preserved, others erased. With tensions rising and the poem revealing only what it chooses to, Meera must learn how knowledge travels across generations, and why certain things are hidden not to be lost, but to be protected.

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2st book in the series "Ray Barir Bouma" "What ? what is happening?" I screech in pain. Everything's a blurr. No everything has become a blurr duebto the fire. The fire that is engulfing me and...and my l-late husband. "Wait-why am I sitting on the pyre where my husband is being cremated." I thought to myself as the pain of my sking burning finally was registering in my brain and that's when I realised, I am a Sati. I look around to see my son standing beside his uncle's , my husband's siblings, and crying profusely as they are trying to take the burning mashal from his hands. From the same hands which he used to cremate his parents. my brows furrow with panic as I look down at myself. "what is happening? Save me! Thakurpo! Baba Moshai! Save me!!!" ~~~~~~~~~~~ After the sudden death of her husband, Mollika Mohan Ray, the elder Daughter in law of the Murshidabad Zamindari in the early 18th century, was forced to perform Sati! On the pyre, as she was being cremated with her late husband she got her consciousness back and realised she wanted to live. Atleast for her kid and thus decided to jump of the pyre and run towards freedom.