Bhima Stories

"kenapa lu ngelakuin semua ini..?" Kai melirih, Niko hanya menghembuskan nafas "gua khawatir sama lu Kai, gua pengen ngelindungin lu." Kai x Niko, smut, fluffy, angst, Rareship lagi kayanya.. ah tidak mereun, mungkin banyak yg ship ini juga "mungkin", ingat juga, semuanya disini tidak bedasarkan fakta/cerita aslinya, hanya ada beberapa scene berdasarkan cerita asli di book ini. ingat juga, disini lapak BL, homophobic silahkan menghindar dari book seperti ini, jangan asal mengkritik book ini, kalau kalian tidak suka silahkan pergi.

All starts with Brahma, and exists per Narayana's plan. But this time, the sun god didn't want his child to die. So he did a little change of certain one character. A different mahabharata with one genderbend character and few oc s. All rights reserved except for my oc s, also I apologize if anyone feels disrespected.

Ṛṡyaśṛṅga guesses that his visitor Alambusā is a woman, a human dimorphic to himself. However, Alambusā dislikes to have a womanly body, preferring to be a man. Alambusa Ārśyaśṛṅgi is the name of a Rākṣasa warrior in Mahābhārata: Alambusa, son of Ṛśyaśṛṅga. My story of the conversation between his parents Alambusā and Ṛśyaśṛṅga builds upon details found in Mahābhārata and Alambusā-jātaka. Unlike other versions of Ṛśyaśṛṅga's story (Mahābhārata and Naḷinikā-jātaka) in which he is the principal character and his misgendering of a sensual woman with masculine and ascetic attributes is humourous, Alambusā-jātaka focusses on Alambusā's spirituality, humility, and extraordinary beauty that Ṛśyaśṛṅga mostly recognizes as feminine. My story inverts Alambusā's motives along with gender identity. The title is Pāḷi and means "Mixed Alambusā Wants Ṛśyaśṛṅga To Mix." Similar words are repeated in the verses of Alambusā-jātaka, but I have changed their inflection from feminine to masculine. The second chapter tells the story of the duel between Bhīma's son Ghaṭotkaca and Duryodhana's son Lakṣmaṇa. Cover credit: oye_nakhrewaali of India Forums

ON HOLD !!!! A 21st century girl entered Dwarpayuga to complete a legend. A selfless act can change someone's destiny she didn't believe it until it changed hers. Everything comes with a price don't they. She is the living embodiment of justice, strength, devotion, heroism, grace, wisdom, tragedy & radiant loyalty (⁠*⁠_⁠*⁠) This story plot is fully based on my imagination. It's not intended to harm, judge or criticize any culture/believes. This is my first time writing in this genre, so please do forgive my errors.

In the shadow of a legendary feud, where ancient rivalries simmer, a hidden truth awaits. Beneath the surface of animosity and pride, a tangles web of emotions threatens to upend the fate of sworn enemies. As the winds of destiny sweep them towards towards a distant shore, the lines between loyalty, duty and desire begin to blur. Will the masks that shroud their hearts be shred, or will the weight of tradition crush the whispers of their souls? In a world where love dare not speak its name, can the flame of forbidden passion illuminate a path to redemption, or will they be reduced to ashes by the unforgiving tides of society, fate, destiny and world? An incident started with mistake, walked with unknown Temptation, ended with Endearment.

when a girl travel unexpectedly to past where her life changes completely, she's not invited but when she arrives there she got a big welcome celebration...and her life changed and she change everyone's life too..

In Mahābhārata, Kṛṣṇā Draupadī receives Jayadratha hospitably, offering him and his entourage whatever she has on hand for breakfast. Vṛkodara Bhīma and her other husbands have gone hunting because fifty slaughtered animals are not enough to feed them, their brāhmaṇa dependents, and their servants for the day. Kṛṣṇā assures Jayadratha that Yudhiṣṭhira is on his way back with more food: various kinds of antelope and deer and elk (aiṇeya, pṛṣata, nyaṅku, hariṇa, śarabha, ṛśya, ruru, śambara), as well as hares, oxen, boars, buffalo, and other animals. However, Jayadratha is hungry for something other than breakfast, left behind by the Wolf-Belly and her other husbands ... Kṛṣṇā herself! The lifestyles and experiences of diverse characters from Mahābhārata are presented in the other chapters: (1) Satyabhāmā; (2) Śikhaṇḍin's wife Dāśārṇī; (3) Babhru Akrūra's wife Sauvīrī who was abducted by Śiśupāla; (4) Kṛpī; (5) Duḥśalā and Jayadratha; (6) Subhadrā and Uttarā with Parikṣit; (7) Kṛṣṇa's half-brother Jarā and his mother Turī; (8) Prātikāmin the chariot-driver of Duryodhana; (9) Sāmba who pretended to carry Babhru's child while married to Babhru's daughter Vasuṃdharā; (10) Kareṇuvatī the sister of Dhṛṣṭaketu; (11) Ekalavya the son of Śrutadevā; (12) Śakuni's nephews Vikarṇa and Citrasena. The title is Saṃskṛta and means "I'll give you fifty animals for breakfast." Cover Credit: @PriyaArshiSarun

𝙎𝙝𝙚 𝙬𝙖𝙨𝙣'𝙩 𝙟𝙪𝙨𝙩 𝘿𝙧𝙖𝙪𝙥𝙖𝙙𝙞 𝙗𝙪𝙩 𝙨𝙝𝙚 𝙬𝙖𝙨 𝙆𝙧𝙞𝙨𝙝𝙣𝙖. 𝙆𝙧𝙞𝙨𝙝𝙣 𝙢𝙖𝙙𝙚 𝙩𝙝𝙚 𝙬𝙤𝙧𝙡𝙙 𝙙𝙖𝙣𝙘𝙚 𝙩𝙤 𝙝𝙞𝙨 𝙩𝙪𝙣𝙚𝙨, 𝙬𝙝𝙮 𝙘𝙤𝙪𝙡𝙙𝙣'𝙩 𝙨𝙝𝙚 𝙙𝙤 𝙩𝙝𝙚 𝙨𝙖𝙢𝙚?

Have you ever wondered what happened to the civilization which gave birth to mankind? How did they live? What happened to yazhi a gruesome creature that existed millions of years ago? And what does that have anything to do with draupadi? Join Draupadi in her journey to become yazhini, the last rider of yazhi, and her revenge against Duryodhana reincarnation of her nemesis of the lost world.

Reader of Kaliyuga! Pray, do not call me Mahanayaka! Do not make me feel separated from the ones I love. Call me Pandava, which carries my father's blessing to me! Call me Paartha, which is my mother's love for me! Call me Krishnasakha, for that is Lord's affection itself for me! Call me Arjuna, the name my four brothers called me with! This is all I want, to feel one with them! This is my story. This is their story, too. For without them I am nothing! Join me in this journey of my life, the saga that was recorded as Mahakavya Mahabharata. Cover credit: @_justloveharry_33

There was always this question who was greatest? Bhishma, Drona, Karna, Ashwadhama, Arjuna or Bhima... There are many instances in Kurukshetra and otherwise which proves and disproves many things. I looked at what KMG and few other versions which I have and wrote this. My take on that question is this piece..

Maidens envy my aura vying the blue lotus Scions of my time vie for mere sight of mine Cretins praise my mythical fiery birth from fire The Shrewd eagerly awaits for a predicted downfall Blue lotus I am-untouched, unloved, unprotected And this is my side of the story.

Duryodhana never started a war until he had all confidence that he can win. What was the reason for that? He felt he had two things. One the numbers - more than 50% strength in army. Two the warriors - more than enough to match Pandava warriors. HOW? Let us look at what lead to Duryodhana's over confidence and down fall..