Concretepoetry Stories

A poetry book where Hades and Eros live. A/N: Please be aware that some material and themes contained in this book may be considered as triggering such as suicide, sexual assault, violence, drugs, and other harmful activities but they are mostly inferred. These themes are metaphorical or trauma‑centered and are not depicted graphically or glorified. Reader discretion is advised. --------------- © 2026 J. Lee Kennedy. All rights reserved. Cover design © 2026 J. Lee Kennedy. Images used in this work belong to their respective copyright holders and are used under license or in accordance with applicable Creative Commons terms. Edited or altered images are copyrighted by the author in their final form.

Some girls learn to scream. She learned to stay quiet. The Woman Who Stayed Soft is a poetry collection told in chapters a journey through silence, survival, and softness. It also includes the pain and agony through ones screams. Each chapter opens with an acrostic. Each poem a flame: epic, concrete, rhymed. A voice once quiet, now reclaiming itself. ✨ New poems every week 📚 New chapters every 2-3 weeks 💌 Read gently Chapter 1 is live! Chapter 2 is live! Chapter 3 is live! Chapter 4 is live! Chapter 5 is live! Chapter 6 is live! For the soft ones who stayed. For the ones who made it out anyway.

A Collection Of Concrete Poetry ¦ Find the art in the lines because each poem 'paints' a picture... Literally 🖋

"Meet me at Block #143, Burntloved of Catastrophe. Where thousands of parchments and lies are buried." ︶︶︶︶︶︶︶︶︶༉‧₊˚. where the literatures of esthereal are archived. RANDOM POEMS AND PROSES COMPILATION ©2021 photo used on cover aren't mine. credits to the owner.

two meanings--can you catch it?

When I shared this book, which was once a rough-draft People criticized my work so much that others laughed. But now as I publish my works, which are full of courage and dreams People think to themselves, "a book cover is not always what it seems." So my friends... on wings of words let me take you away To a magical place full of wonders and light. Forever we could stay in this place, amazing is the day. But, dear readers... the world, nor life, is not always bright For there are criminals who have been forgiven, and victims who have been misunderstood. There are many stories of villains who are wronged, but whose lives were once set right. We are, and can be everyone's heroes... but now this verse has closed, and it is time to set the mood.

A compilation of tagalog and english poetries written by yours truly.

old poems about change written in seventh grade.

This concrete poem talks about a woman who resembles herself as a bear in conquering the society swathe with unforeseen and deceiving nemesis.

a compilation of metaphors, rhymes, and love.

and other poems about how i lost my best friend, how i loved him in secret, and how i wished i never said a thing. #Shortys2025

Triptych of erotica on the subject of female sexuality and the nature of desire using poetry and (word) art - lines of the pictures made up of words of the corresponding poetry - all artwork and poetry are the property of @intersectionalanais and are subject to copyright. Please ask permission to use.

What is the border between signifier and meaning? What form can poetry take? I try, in these poems, to push the idea that you can go beyond the common use of the words. With the introduction of new technology, the rules of writing change by bringing innovation to the language. [The cover of this poetry collection is my work] Qual è il confine tra significante e significato? Quale forma può assumere la poesia? Con questa raccolta provo a portare avanti l'idea che si possa andare oltre l'uso comune delle parole. Con l'introduzione di nuove tecnologie le regole della scrittura cambiano portando innovazione nel linguaggio poetico. [La copertina della raccolta è un mio prodotto]

just trying to work with the concrete form of poetry.

Poetry dug from my trash bin. ----- © 2026 J. Lee Kennedy. All rights reserved. Cover design © 2026 J. Lee Kennedy. Images used in this work belong to their respective copyright holders and are used under license or in accordance with applicable Creative Commons terms. Edited or altered images are copyrighted by the author in their final form.