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Months after the Little Kilton murders are finally put to rest, life has started to look normal again-on the surface. Pip's podcasts are quiet, Ravi is always nearby, and the police have stopped calling. But Amelia, her older sister, sees what no one else does: Pip isn't sleeping. She flinches at every knock on the door. There's a darkness under her skin that no one can reach.
When Pip starts talking about the man who might be following her-the one who leaves chalk figures on the driveway-Amelia tries to believe it's paranoia born from trauma. But when the fear starts creeping into their daily lives, Amelia realizes something is terribly wrong.
This time, it's not a case they can walk away from.
Torn between protecting her sister and keeping her own secrets-her relationship with Cara Ward quietly blossoming in the background-Amelia must face a question she's been avoiding all her life:
What does it mean to love someone who keeps running toward danger?
And when the unthinkable happens, Amelia's loyalty will be tested in ways she never imagined.
Because this time, it's not Pip's podcast that's going to save them.
It's what happens after the microphones turn off.