Koreanhorror قصص

A collections of my theories, thoughts, fanfic ideas, and drawings of the main antaganist from the korean horror series Strangers From Hell, Seo Moonjo.

안녕하세요, 제 이름은 Zehra입니다. 저는 12살입니다. 저는 집에 있었고, 휴대폰을 보고 있었고, 저희 가족은 집에 없었고, 저는 자정 12시에 놀고 있었습니다. 통화하다가 조용히 부엌으로 가려고 하는데, 부엌에서 목소리가 들려서 꿈을 꾸고 있다며 물을 마시고 돌아왔습니다. 그리고 다시 같은 게임을 하러 갔는데 1시가 되었는데도 가족들이 돌아오지 않아서 겁이 나기 시작했고 속으로 "두려워하지 마세요"라고 했어요. 그리고 한 시간 뒤에 문을 열고 부엌으로 가려고 하는데 또 소리가 들렸는데 이 소리는 부엌에서 나는 소리가 아니었습니다. 그런데 이 소리가 문 쪽에서 들려오더니 소리가 점점 커지기 시작하더군요. 나는 어머니에게 전화를 걸었고 어머니는 마침내 전화를 받았습니다. 나는 어머니에게 "엄마, 문 앞에 계세요? "라고 물었습니다. 그러자 어머니가 "아니, 뭘 묻는 거야? 우리는 아직 시장에 있었어."라고 해서 어머니에게 "너는 멀리 있는데 누가 문을 두드리느냐?"고 물었습니다. 문도 잘 닫고 창문도 잘 닫으세요." 그리고 문도 잘 닫고 창문도 잘 닫고 방으로 갔는데 모르는 번호로 문자가 왔어요. 메시지를 열어보니 "너 알아. 집에 가서 뵙겠습니다. 문을 열어 주지 않으면 위험한 일이 일어날 것입니다." 하지만 문은 닫히지 않았고 무서운 사람이 강제로 집 안으로 들어와서 칼이 있었고 이웃 사람들은 집에서 이상한 소리를 들었습니다 그러다가 경찰에 신고했고 결국 경찰이 왔고 이 사람은 도망갔습니다. 하지만 이웃이 그를 칼로 죽였고 마침내 부모님이 집에 오셨습니다. 가족들에게 다 말했어요 마지막 이상한 이야기는 아무에게도 문을 열지 마세요 A 교훈을 얻었기를 바라

Under the Crimson Lantern is a Korean romantic horror novel that explores how love, grief, and guilt can become curses when they are left unresolved. The story follows Seo Mina, a young woman who returns to her isolated mountain village, Byeolha-ri, after her childhood friend and first love, Kim Joon, mysteriously disappears. The village is ruled by silence, fear, and an ancient object known as the Crimson Lantern-a supernatural lantern said to reveal true love, but at the cost of trapping those who wait beneath it. As Mina searches for Joon, she discovers that the lantern does not create love-it feeds on longing. Anyone who waits beneath it while holding onto unfinished promises slowly loses their humanity, becoming something suspended between life and death. Joon did not vanish; he waited. And in waiting, he became bound to the forest, sustained by Mina's absence, her guilt, and her unfulfilled promise to return. The horror in the story is not sudden or violent, but slow, emotional, and suffocating. It grows through whispers, memories, and the unbearable pull of familiar voices. Love becomes obsessive. Waiting becomes decay. The forest itself acts like a living consciousness that listens, remembers, and feeds on human desire. At its core, the story asks: What happens when love has nowhere to go? Can devotion survive abandonment? Is staying with someone you love an act of salvation-or surrender? The romance is tragic and twisted, built on childhood innocence that rots into possession. The horror is psychological and folkloric, rooted in Korean-style supernatural beliefs where promises, names, and longing have power. The Crimson Lantern is not evil-it is patient. It does not chase. It waits. And the deeper Mina goes, the more she realizes that the greatest danger is not the forest... but how much of herself she is willing to give up to keep love from ending.

Greed and envy threaten the lives of the Park family as they inherit the home of Min Tae Jung , one of the wealthiest men in Southern Korea. At first, the Parks assume the odd nature of the home to be normal but when Ae-Yeong (the protagonist) discovers the "doors"; a series of increasingly disturbing discoveries lead her to a twisted and sick truth that she could never have imagined.

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"He said he'd die for her. He just didn't say who would die first." When midnight falls over Seoul, Ryen Jimenez answers a call that shouldn't exist. A low, distorted voice purrs through the speaker: "Do you like scary movies?" She laughs-until the voice changes, whispering: "I wanna know who I'm looking at." That's when the game begins. Her best friend Kyria Cïsse is out for the night, leaving Ryen alone in their dimly lit apartment. The phone keeps ringing. The windows creak open. The television flickers between static and shadows. And somewhere in the dark, a masked man watches. What Ryen doesn't know is that the voice on the line belongs to Song Mingi-the quiet boy she once knew, the one who smiled too easily, the one who never stopped watching. To him, this isn't murder. It's love-violent, pure, and unforgettable. When love turns into obsession, and the line between desire and death blurs, only one truth remains: He loves her enough to kill for her... or kill her himself.