Lakshmi Stories

I've always loved VIKA - their chemistry, their chaos, the way Vijay and Kaveri spark even without trying. I wrote one-shots, tiny scenes, little what-ifs... but then I started reading a few VIKA college stories, and something in me just clicked. I got obsessed - like really, really obsessed - with imagining them as bold, messy students, fighting one minute and staring at each other the next. That's when this idea refused to leave my head. What if Kaveri was the chaotic junior who never shuts up? What if Vijay was the responsible senior who secretly notices everything about her? What if their first meeting wasn't cute... but a literal slap? I wanted to write that version of VIKA - loud, fiery, stubborn, funny, and painfully meant for each other. So here I am, finally writing the college versions of VIKA I always wanted to read. Inspired from.. @Myownwrites25 , @Vijiyalakshm , @lofi_echoes , @RushnaRushi

{ AndalRangamannar modern } "When I showed your horoscope to an astrologer, he said, 'your daughter has a horoscope like Thaayar in the form of Satyabhama. She will marry only her Krishna.'" "And that is true, Appa," Satyaa said simply, smiling at him. Seeing the expression on his face, she said, taking his hand in hers, "You taught me Bhakti to Hari. That Bhakti fructified to love, Appa. When marriage comes around, I will marry my Krishna only, in whatever form He comes. I have full faith in His coming." "Like Andal had in Him, isn't it so?" ***** Satyaa Vishnuchittan had felt from a young age that her life was for Hari, and Hari alone. Her father, Vishnuchittan, and mother, Padmini, were ardent Vishnu devotees, and had taught her love to Ranganatha since she was very young. A love which flourished as she grew, a love which turned romantic, and thrummed eternal. Her love, needing a voice, caused her to become active on social media, and from there, Vishnu takes Her on a ride, showing her the power of her own voice. A tale of love, empowerment, Bhakti and sacrifice. ALL RIGHTS RESERVED.

A book about my view on Hindu Mythology Will contain: -Poems -Short Stories -Drabbles -Anylizations

This story is the sequel to my first book Devotional Love. You can read it as a standalone, but I truly recommend reading Devotional Love first...it will help you understand the depth, the emotions, and the divine connections much better. What happens when the soul of a Kaliyug girl is reborn in Dwapar Yug...carrying within her the complete knowledge of the Mahabharat? She believes she is just an ordinary human... A blessed, fortunate soul who gets the chance to witness the greatest epic unfold before her eyes... Someone lucky enough to meet her Aradhya, Shree Krishna, himself. But is she really just lucky? Or is she something far more... something the universe has been waiting centuries to reveal? #7 Travel....51.6 stories 🥇 Lakshmi... Little does she know- Her Aradhya, Shree Krishna, is waiting too. Waiting for her... Waiting for the moment when she remembers him. Remembers a life she once lived. A love she once had. A promise her soul has forgotten... But her destiny hasn't.

Vijaykaveri (vika)

What if Pandavas have a sister. What if Kauravas have an elder sister. What if one of them is kanha's priya while the other is Balram's sangini. This is the story of Narayan's Narayani, Krishna's mohini. This is the story of Seshnag's Ksheersagar, Balram's ardhangini. Peep in to know more...

The breezes were fluid in their dances. Birds sang in their chime like voices, swelling at the glories of their Natha. The sun was never harsh in its sheen. The autumn sunshine that you'd bask in. The entire Prakriti would breathe the name of Rama. Slowly, like the greatest hymn it had ever known. Their SiyaRama were back. Finally. The name was gifted by @Ramayana_lover Cover credits @Bloominginmythology

❝Śriyakhyāna❞ - (lit.) narration of Shri. When KrishnaLeela comes to an end on Prithvi with the sinking of Dvaraka and the end of the YaduVamsha, Krishna and his Shris return to Vaikuntha, to ShriPeetha, their eternal residence. Their time on BhuLoka was full of ups and downs, dappled moments of fleeting happiness and long periods of pain and constant wait. But now with their return to Vaikuntha, there is little to bind them and thus ensues moments of utter chaos and laughter and joy, Kanha's Priyaas taking their revenge for his constant mischief down on Prithvi. These are some such short tales of their time in Vaikuntha. [Co-authored by ruhitherambler and krsnaradhika]

He is the lord of the universe, the divine protector, the epitome of love and compassion. A shining star to his devotees, and a raging inferno for the wrongdoers. His mercy knows no bounds; his beautiful lotus eyes, as deep as the ocean, brim with endless love for his creation. No matter the sins one has committed, just chanting his name purifies the soul. As Rama, he exemplified the essence of dharma. As Krishna, he revealed his divine nature, enlightening the world through the Bhagavad Gita on how to live righteously. His calm form is a reflection of the serene, clear skies-beautiful and enchanting. Yet, there exists a fierce side to him. When unleashed, evil vanishes from the universe in mere moments. Who is this enchanting being I am speaking of? You must have guessed by now-Shrihari, Vishnu, Narayana, Madhava. His names are countless, his deeds a melody to the ears and a feast for the eyes. How can one forget that divine smile that never fades, no matter the situation? Join me on this wonderous journey as we explore stories that connect us with the ocean of love, the lord of eternal love, Mahavishnu.

Syamantaka, the very jewel that once adorned swayam Suryadev. Syamantaka, the very jewel which is a repository of endless riches. Syamantaka, the very jewel that led to Lord Krishna's morality being questioned. The story of Syamantaka is binded to the story of many, Some characterized by fight and some by love, but mostly by greed and deceit. Man have always yearned for more than he has and as history can go, such level of avarice has only resulted in Conflicts, if not war. The Syamantaka episode of the great Epic Mahabharata tells us a tale of a similar conflict. Dive into this story of Syamantaka. The main story is taken from The Mahabharata. I have added scenarios from my own Imagination and it is not intended to hurt anyone's religious sentiments nor degrade the legends. Constructive Criticism is always welcomed and appreciated. Intended Sequel to 'Krishnatmika Rukmini' and second in Ashtabharya Series. I do not Own the picture on the book cover. It belongs to its owner and I do not intent to take it's credit.

"From Contract to Love" is a heartfelt journey of two individuals who embark on a path from contract to love, discovering that sometimes, the most unexpected unions lead to the deepest connections.

The Beauty and the Beast. Not that one can tell which one of them is which. The half-lion form surely surprises Chenchita but the unsaid attachment she has to him troubles her. The far she wishes to go, the closer she seems to getting. "He is Sriman Narayana." They all say. How is a forest girl supposed to react to the understanding that somehow she has an attachment to someone who isn't even a man? He may be a beloved deity. Is it even normal for a human to want a deity? Would the tribe accept this?

Short stories on Bhakti to various Gods and Goddesses of Sanatana Dharma.

This is a story about two young goddesses who have to take place on earth and defeat the evil that lies ahead and they also find love in two young princes

We all know the story of Ramayana. This story is an attempt to re-tell the story of Ramayana, with more creative nuances. Please note, that the story is entirely based upon the version of Ramayana that I have heard and read. Some incidents and parts of the story are fictitious, which I added to enhance the flow. I am deeply sorry for any mistakes which may have occurred. Please guide me and help me to remove any mistakes.

What if the gods you know were never the same? What if the stories we inherit about Kali, Durga, Chandi, Chamunda, Lakshmi, Saraswati, Uma-and countless other goddesses-were not preserved, but reconstructed? What if entire traditions were rewritten to serve political, theological, or cultural consolidation? What if indigenous and tribal goddesses were absorbed, renamed, or erased to fit the narrative of a singular Supreme Goddess? What if promises made to these deities and their worshippers were quietly broken? What if the Shakti Peethas were never originally tied to Sati? What if Kali once stood without Shiva? What if Durga was not Parvati? And what if Mahadevi-Tripurasundari, Parvati, Saraswati, Lakshmi-came to represent not liberation, but homogenization? This series explores the forgotten, sidelined, and absorbed goddesses of Hindu traditions, especially local and regional deities whose identities were overwritten or left undocumented. Each chapter will examine goddesses from specific regions, tracing how their stories were altered, merged, or abandoned in the rise of a centralized Shakti narrative. This is not an attack on faith-but an inquiry into memory, power, and loss. Each chapter may: Document forgotten or marginalized goddesses Critically examine canonical myths and popular retellings Invite collective discussion toward building an alternative ontological map of goddess traditions I welcome corrections, additions, and respectful challenges. If something is missing or inaccurate, I want it questioned-because silence is how erasure survives. This work is not anti-Hindu. Hindu traditions have always allowed questioning, plurality, and philosophical dissent. This series stands within that spirit-seeking understanding rather than worship, inquiry rather than obedience.