Mail-orderbride mga kuwento

In 1876, western men sweep mail-order brides off their feet as soon as they arrive in town, but not Isabel Grant. Capt. Pichon rejects her for being "a skinny, school-girl" and is left in town to wait three days for the next train. Sgt. John Webster delivers the news to her and is drawn to protect this porcelain doll. Isabel discovers her independence, but she finds out she doesn't have the legal right to be independent. Will she go back to a life of poverty? Will she be forced to marry? Will she be allowed to stay? Read about Isabel in Porcelain White.

Nebraska 1876 Jeremiah Freeman and his family have a prosperous homestead near Gage County, NE. His family was one of the first to file a claim under the 1862 Homestead Act. He and his five remaining son's have worked hard to get to where they are now. But one of his sons, Jacob, is still grieving the lose of his fiancée and younger brother after an influenza outbreak back in 1873. Jeremiah and his wife, Justine, are worried that their son will never come out of his grief. Jacob, knowing his parents are concerned that he'll never marry, decides to send for a mail-order bride back east. Claire Olsen, an orphan from Massachusetts, has been living with an aunt and uncle since her parents death when she was thirteen years old. She see's an ad for mail-order bride's and feels like God is leading her to become one. Jacob and Claire are brought together through a matrimonial agency, and begin to exchange letters. Jacob proposes, and Claire accepts. Once they meet they're neither what the other thought. Can this couple who have different views on faith, reconcile their differences and make their marriage work.

English heiress Lady Christine Daae sails to the United States of America as a mail-order bride to one Erik Destlar. However, will she ever escape her dark past, or will it continue to haunt her new future? E/C. ___________________________________________________________ I do NOT claim the original work of Gaston Leroux "The Phantom of the Opera." I also do NOT condone things discussed, written, or otherwise made known through my work. My only wish is to make Leroux's book accessible to modern readers with a few plot twists here and there. I can only hope I have done his acclaimed work justice with my retelling.