Meerut Stories

𝐇𝐞 𝐨𝐰𝐧𝐬 𝐭𝐡𝐞 𝐜𝐢𝐭𝐲. 𝐒𝐡𝐞 𝐨𝐰𝐧𝐬 𝐡𝐢𝐬 𝐝𝐨𝐰𝐧𝐟𝐚𝐥𝐥. Baldev Singh Thakur was in power. An MLA's son. Meerut's untouchable name. A man who never lost control. Until she slapped him. On stage. In front of the city. And then kicked him. The video went viral. His pride was shattered. His father ordered her death. But Baldev chose revenge. Within twenty-four hours, she was his wife, sindoor, mangalsutra, and a marriage forced under guns. But when hatred turns into obsession, who really loses control? Will she break under his power... Or will she become the only woman capable of bringing Baldev Singh Thakur to his knees? He thought he would handle her. Handle his father. Handle the scandal. Until his own brother arrived at the Thakur haveli, standing beside his secretly married wife. And his closest friend married another girl, shaking the very foundation of the Thakur legacy. What began as humiliation turned into a war inside his own house. Now the question isn't who controls Meerut. It's who will survive the fire inside the Thakur family. 𓂃 ִֶָ𐀔 Dark Romance | Mafia Politics | Power Play | Enemies to Lovers ⚠️ Warning: Obsession, morally grey hero, violence, and a love story that doesn't ask for permission. ▶Translation of Hindi is Available. *Highly Mature Content* Copyright @ authorswati -ˋˏ ༻❁✿❀༺ ˎˊ- 🎖️TOP RANKING: #1 in MEERUT #3 in SCHOOLTEACHER #3 in WETDREAMS #6 in ASPIRATIONS #9 in VILLAIN ROMANCE #10 in WATTPADDREAMWORKERSCONTEST2014 #14 in WATTPADFICTION

Through linguistic scripts, any form of poetic literary work has always been an attempt to express the emotions of beings through words on the historical pages of linguistic literature. The emotional desires of every creator, since ancient times, have continuously sought to carve out their thoughts in each era, i.e., to transform ideas into words and inscribe them on the blank pages of paper. This desire has existed in every period of time. Within this main literary domain, the poetic style of linguistic literature, 'Ghazal', originated from the wandering and romantic societies of the Arabic language around 1500 years ago on the soil of the Arab world. However, this style has not yet entered the Hindi language, which is the main national language of our country, in its Devanagari script and has remained excluded until now. Yet, some contemporary creators have begun efforts to introduce this style in the present time, and its introduction has started. Considering the lack of the 'Ghazal' literary style in the historical pages of Hindi poetic literature, I have made a modest attempt to bring this ancient literary form to the pages of my Devanagari script, adopting some of its old standards and rejecting others. Through this attempt, I have made a small effort to present it on the pages of my newly written book, Dard-e-Gham. To make the poems more engaging and captivating, I have introduced several new techniques in the book's poetic creations. All the compositions focus on specific themes, written in the vocabulary of my mother tongue, Hindi, and have been compiled in my newly written book Dard-e-Gham. This work has been presented to the discerning readers of the country, with all the compositions being melodious, musical, rhythmic, and full of charm. Every poetic creation is imbued with melody and rhythm, and they fulfill the historical documentation of Hindi literary tradition completely.