Mirandalawson cerita

In the aftermath of the Reaper War, Miranda Lawson and Jack have found solace in each other's arms, building a new life together amidst the galaxy's fragile peace. But as old conflicts stir and new threats arise, the two women are thrust into a dangerous mission to prevent a rising faction from seizing control. As they navigate the chaos of rebuilding the galaxy, Miranda and Jack must confront both external enemies and the deep emotional turmoil that comes with their bond. Amidst the trials, their love is the one constant that keeps them grounded, proving that even in the darkest of times, love can shine through. Stars in the Dark is a story of resilience, love, and the strength of a partnership forged in the fires of war.

Rudimentary creatures of blood, and flesh, you touch my mind, fumbling in ignorance, incapable of understanding. There is a realm of existence so far beyond your own. You cannot even imagine it. I am beyond your comprehension. I, am The Omega.

Quotes from the Mass Effect universe.

"Well, well, well. If it isn't the Archangel. Hello, Vakarian." "Who the hell are you?" In which a grieving Garrus Vakarian returns to his double life as Archangel on the streets of Omega, but gets his ass saved by a woman who reminds him a lot of his best friend. Or In which Jane Shepard did not survive the war with the Reapers, and her friends are left to pick up the pieces. {GARRUS VAKARIAN X FEM!OC}

WARNING: This story may contain spoilers, adult content, and mature language. Disclaimer: I do not, nor do I claim to, own Mass Effect or any of the character's mentioned (unless otherwise said so) in this story. All right's belong to Bioware. Author's note: Please do not ask for updates, please do not demand or request thing's from me, and most of all- be nice in the comments section. This is just a fun little fanfic, no need for needless hate.

This is filled with short stories about those "Humans Are Weird Space Orcs" posts on Tumblr, but with the Mass Effect crew.

The collector base is gone and Shepard is grounded. All of her communications are monitored closely. Messages that are deemed unnecessary or suspicious are not shown to the commander as to cut her ties to Cerberus. But no one expected her to be responsible for a krogan all of a sudden. Join Amilios Shepard on her new adventure of long-distance parenting. What could possibly go wrong?

Jane Shepard was a stranger to emotions. Hard military life and past traumas had stripped her of openly expressing the vulnerable parts of herself, but an inner part of herself had hope that one day someone would help unveil them again. Then, while chasing down a rogue Spectre, Saren, who had allied himself with the Geth to bring back the Reapers, Jane rescued Liara T'Soni. A quirky, awkward but passionate archaeologist with a love for Prothean history. Slowly throughout her time on the Normandy, Jane realises that this tall alien was more than just a crewmate or friend, with help from a few people along the way. See the events of the Mass Effect trilogy through the third person eyes of Jane Shepard, and her feelings towards a certain Asari while simultaneously saving the galactic community. Extra written scenes included. [DURING ME1 TO POST ME3] [PARAGON, COLONIST, WAR HERO FEMALE SHEPARD]

Mid-Mass Effect 2 - Paragon, Spacer, Soldier, Liara romance. Based on experiences of Commander Jess Shepard, Alliance Soldier and Human Spectre. This story vignette takes place in the midst of the events of Mass Effect 2.

It all began in the underbelly of the beast. In the trenches of the reckless and by the hands of the perfected. Three weeks ago, a simple mission brief led a handful of the Normandy's crew members into a battle. It was a battle which ultimately led a few of them to indulge in celebratory bottles upon their return. And those seemingly innocent bottles of liquor were what led, exactly two members, down to a stiff bed in the ship's boiler room. That was the beginning of the twisted, sheet-tangling, dance between the two shipmates.

Shepherd wakes up after destoring the Reapers. Now he must get to Miranda his girl, take out the last of Cerberus. When one war ends another will start. BTW I don't own the Mass Effect Franchise, Characters, or things.

a collection of mass Effect poetry I wrote

You can't stop us Shepherd.!.!. Brzzz I will find bezzzzz another way... Y/N......my son.......go...... The Perfect one...... My son..... I.....will always be with you..... Always.

A series of one shots from the Video Game Series! Featured Ships to Choose (Or other ships you have) FemShepXKaiden MaleShepXKaiden FemShepXGarrus MaleShepXTali FemShepXThane FemShepXJacob MaleShepXLiara FemShepXLiara MirandaXJacob GarrusXTali FemShepXJoker EdiXJoker MaleShepXAshlsy MaleShepXJack

When a violent spatial rift tears the Zerg Swarm from the Koprulu Sector and deposits them on the fringe of the Milky Way, the galaxy braces for an extinction-level event. Instead, they find Sarah Kerrigan-battle-weary, emotionally fractured, and seeking an uneasy foothold against a new cosmic enemy. To Cerberus, the Queen of Blades is the ultimate asset to be weaponized. To Commander Shepard, she is an unpredictable variable in the fight against the Collectors. And to Miranda Lawson-Cerberus's flawless operative, genetically engineered to perfection-Kerrigan is initially just another dangerous target to manage. But when laboratory tests confirm that Milky Way species are completely immune to involuntary Zerg infestation, the dynamic shifts. The existential horror dissolves, leaving room for something far more complex: mutual recognition. Both women were forged in laboratories, betrayed by their creators, and defined as monsters by a galaxy that feared their power. As Miranda is assigned as Kerrigan's permanent envoy aboard the Normandy, their professional friction slowly melts into an intense, hard-won trust. Amid joint military campaigns against the Collectors, mounting Cerberus betrayal, and the looming shadow of the Reapers, a slow-burn romance takes root. It is a connection built not on control or domination, but on choice, vulnerability, and the shared defiance of two women refusing to remain the weapons others designed them to be.