Psychosexual storie

stage 3 of freud's psychosexual stages: the phallic stage age: 3-6 years child begins to experience a sexual desire for the parent of opposite sex, this leads to aggressive envy towards the parent of same sex, child begins to identify with same sex parent in order to vicariously have opposite sex parent. desire for same sex resolves into general heterosexual desire. consequence that can occur due to problems during this stage include: narcissism, promiscuity and - in some cases - homosexuality. ⚣

Mara Elson, a quiet insurance employee, moves through life like a placeholder no one bothers to replace. Elias Martinez, a tired schoolteacher, exists in muted repetition, unnoticed even by himself. Two strangers drifting through routines that keep them safely numb. Then a mandatory seminar throws them into the same stale room. Their connection doesn't begin with passion-it begins with boredom, cynicism, and the subtle relief of being understood without effort. What starts as harmless conversation becomes a quiet dependency. They don't make each other better. They make each other honest-and honesty, in their hands, is corrosive. Together, they learn to justify smaller cruelties. Together, they push boundaries they'd never cross alone. Together, they become something neither could become individually. One disaster grows into another-jobs strained, relationships broken, lives quietly damaged in their orbit. Their unity doesn't heal loneliness; it weaponizes it. By the time anyone notices the cracks, it's far too late. And in the end, Mara and Elias don't die. They simply disappear. But the ruin they leave behind doesn't.

Ok

Two liars co-author each other's downfall through chaos, mutual understanding, and a game of emotional chicken. Enemies-to-lovers-to-co-conspirators-to-who-even-knows-who-they-are-at-this-point. #1 Philosophical (July '25) #1 Character Study (June '25) #1 Intellectual (Sep '25) #1 witw (Oct '25) #1 Threats (Nov '25) ‼️DISCLAIMER: This story includes mature themes, irredeemable chronic use of foul language, as well depictions of criminal activity (for entertainment purposes only, none of which should be reproduced in real-world scenarios). ["- I twirl your hair, whisper poetry into your soul, threaten your peace of mind - and that gets a 'would not recommend'? And then... you orgasm over ground beef. In my presence. - Mmmhmmm. Best MEAT I've had in a WHIIIILE. Soooooo good..."] ["I had a goldfish once. Loyal. Very dependable. Floated just right. Watched me with those glassy little eyes until it gave up."] ["- Should I clap? - Mmm~ depends. Are you touched? - Wanna touch me? Massage my shoulders or something. They're stiff as fuck from carrying the CONSEQUENCES OF YOUR BULLSHIT!"] ["You don't fall for a person. You fall for the way they fit your scars. ...It's terribly poetic. I might kill someone over it."] GENRE: Immaculate degeneracy/theatrical sadboy horrorcore. Dark comedy neo-noir satire wrapped in romantic nihilism, criminal drama, and metafictional mayhem - like if a philosophy major and a con artist co-wrote a heist while flirting through existential dread (ft. Pigeon). ⚠️ Contains unstable metaphors, masked intimacy, and disturbing amounts of velvet smirking. NOTE ON FORMAT: Dialogue is tagged with 'SCRIBE:' or 'HISOKA:' to mark speaker changes. No new tag = same character is still talking. Think of it like a script. [I don't own Hisoka. No one does. (But credit goes to Yoshihiro Togashi.) Don't own the rights to songs added via links either, the rest is original]