Radiostation Stories

Hello and welcome to drop dead radio. I, CelestiaTomoe22, shall be your host.

අහන්කාරයොන්ගෙ හැන්දෑවෙ සැරිසරන්න එන්න....

Niall is a radio host and Harry has a hopeless crush on him, so obviously, he calls in as often as he can, and things become interesting.

"Now it's time to hit the red line, keep your boots tight, keep your gun closed and die with your mask on if you've got to.."

31 March 1990 was the memorable day when London's first licensed [South London community of interest] black music station, 'Choice 96.9 FM', arrived on-air. Until then, the availability of black music on legal radio had been limited to a handful of specialist music shows, even though about half of the singles sales chart was filled with black music. The decision by then regulator the Independent Broadcasting Authority [IBA] to license a London black music station was part of a huge government 'carrot and stick' campaign to rid the country of pirate radio. On the one hand, new draconian laws had been introduced that made it a criminal offence even to wear a pirate radio tee-shirt or display a pirate radio car sticker. On the other hand, the establishment knew that some kind of olive branch had to be offered to the pirate stations and their large, loyal listenership.

DEAD AIR Milo's podcast didn't become famous overnight. People didn't listen because he was fearless. They listened because some secrets were too dirty for the police. Every Friday night, he played anonymous audio submissions live: missing people, murder confessions, obsessive lovers, and voices that sounded almost... dead. Then one recording changed everything. Because the voice in the file belonged to his older brother. The brother who died three years ago. And at the end of the audio, a whisper said: "He's watching you right now." The lights in Milo's apartment went out immediately after. Now someone is stalking him. Someone can get inside his home. And someone is using dead people's voices like weapons. At the center of it all is one name everyone seems terrified of: Kang Taehyun. Beautiful. Dangerous. Untouchable. A man with no digital footprint, no past, and too many bodies connected to his name. The deeper Milo digs, the darker the city becomes. Because some people don't stay dead. They just change names. And some love stories don't end with heartbreak. They end with a body. 🖤 "Some voices never really leave."

"Iruma, remember to keep a face even when not seen by the audience." "I got that, but I'm still a little nervous." Ever wonder what the character cast of Welcome To Demon School! Ryūko-chan & Iruma-kun think of their show so far? What is it that you want to ask them through this era of change and trying times? Well, here's your chance to give your questions to them! Our stars are here to give their opinions of the story records. Get to choose a guest star from the cast and they're all looking forward to to your words!, Don't miss out on this radio book and let's get them to hear us! Copyright Credits: - Welcome To Demon School! Iruma-kun (C) Osamu Nishi, Akita Shonen, Bandai Namco Pictures - Suzuki Ryūko (C) Hayami_Minato - Collaborative Characters (C) elgaia489, Spiritanimalpanther, Lunawu3

When my wife took a job at the United Biscuits factory in Harlesden, she understood she would be making 'Digestives' ... and she was correct. When I took a job at The Radio Authority, I anticipated I would be regulating Britain's commercial radio industry ... but I was wrong! Although it was nowhere to be found in my job description, not even hidden in the fine print, my bosses regularly required me to 'turn a blind eye'. Perhaps this was the underlying modus operandi of government regulators: to sit in cossetted London offices, execute as little 'regulating' as possible and await comfortable retirement.

The adventures of a group of friends who run a pirate-themed pirate radio station. [my comfort story / a selfish fantasy]

They're chasing me. Why are they chasing me? I think I'm lost.

In January 1985, I had arrived in Israel to work as a DJ on a radio station, but this was no ordinary radio. The studios of 'The Voice of Peace' were on a ship anchored permanently in the Mediterranean Sea [see blog]. Aware of my interest in cutting edge music, the station's popular breakfast DJ Dave Asher (who had been living in Israel for some time) [see blog] played me a recent 12-inch single 'Galbi' by a young Israeli singer of Yemeni origin named Ofra Haza. It was a traditional Yemeni song, re-mixed and cut up into a state-of-the-art club tune that sounded to me like a new, exciting 'Middle East meets West' genre. I wanted to find out more, but the terrible winter storms and shortage of DJ staff meant that I was stuck working on the ship for the next three months.

I have begun reading excerpts from my stories on our local radio station, 5THE FM 107.7, and whilst they are entertaining folk who are listening to the radio at those particular times, I have had a request from others to provide transcripts of my readings. I have been offered more air space in the days to come and will add transcripts of those recordings as they happen. It's a little experimental yet, but here we go!

Candy Stalker and Miss Medusa are 2 broadcasters on Radio Petrifying who have invited Frankie Stein and her friends to the radio station; on the occasion of Halloween; to narrate their fusion adventure which took place last year. Will Frankie and Ghoulia be able to separate their friends; or will they stay fused forever and ever? Read to find out...

The prostitute was perched on the edge of my bed. Using the elementary Hebrew I had learned from children's television, we chatted about her young daughter and the disastrous economic situation in Israel (inflation nearing 1,000%) that had forced her into this profession. I had been asleep in bed when the room door had opened, the light was abruptly turned on and I opened my tired eyes to see a 'Little & Large' couple framed in the doorway. Having ordered her client to take a shower before starting 'work', she had ample time for a conversation with me.

People don't just disappear, do they? I don't mean a clothes-on-beach John Stonehouse sort of disappearance. Nor a dead-nanny-on-floor Lord Lucan type of crime. Those were elaborate, doing-a-runner schemes. As was my father disappearing for good with the teenage bride of a neighbour. That had simply been middle-aged madness, but I digress. No, I mean a person who achieves a vanish-into-thin-air disappearance, leaves no trace whatsoever and is never heard from again. Sometimes it does happen.

Dustin's older sister - forced proximity - enemies to lovers - second chance - somewhat canon compliant - between S4 and S5 (I'll come up with a synopsis later)

Join Julian and his co-host Coco each week as they report on the strange happenings of their little harbor town that no longer exists. From coffee machines not working to the resurrection of dead gods, can the two survive long enough to uncover the secrets plaguing this town?

Trouble familiarizing radio stations? Here's the guide you want to know about! ^^

When it comes to the audience measurement of radio stations in India, IRAM provides accurate information about radio listeners as per weekly reach, weekly hours, demographics, etc. So, this was IRAM Quarter 3. The table below shows the top ten radio stations from July 1, 2019, to September 30, 2019, according to the weekly hours. 1. Radio Mirchi, Delhi - 26.9 Million Hours 2. Red FM, Delhi - 26.5 Million Hours 3. Big FM, Delhi - 19.7 Million Hours 4. Red FM, Kolkata - 17.3 Million Hours 5. Radio Mirchi, Kolkata - 15 Million Hours 6.. Red FM, Mumbai - 12.8 Million Hours 7. Radio Mirchi, Mumbai - 12.8 Million Hours 8. Big FM, Mumbai - 11.1 Million Hours 9. Radio City, Delhi - 10.4 Million Hours 10. Big FM, Kolkata - 9 Million Hours To know about the standing of your radio station in the audience measurement survey, stay tuned to https://www.iramradio.com/quarterly-figures. How do you know who is listening to your radio station? The listenership figures provided by IRAM are purely based on telephone surveys in the coverage areas of each station. All the participants in the survey went through a set of questions asked by the qualified interviewers. Then by statistical analysis, our experts conclude the results of the survey and determine how many listeners are listening to each individual radio station. Moreover, you can get detailed information about the Radio Audience Measurement Survey of listeners that falls under your radio station via our paid subscription. These services can be opted by filling in the details at https://www.iramradio.com/subscribe.