Historias de Romancefree

e·the·re·al əˈTHirēəl/ 1. extremely delicate and light in a way that seems too perfect for this world. "So, what do you say, love?" "No." In which a woman refuses to save the world, on the grounds that she has more important things to do. Marianne Ouellet has a life. She has responsibilities. She has her bookstore and her son to look after. When two men break into her store after hours and tell her they have powers like hers, that they're assembling a team to take down a man starting a third world war, she has to refuse. Then she changes her mind. She still has to wait and see if it was a good decision. But it has to be. She can't risk her life for anything less. [X-Men - First Class] [Canon-Typical Violence] [Slow Updates]

Years after the last Child of the Aurora was executed, a new hope will arise. Can a young Aesuthi save Elysea with their newfound powers? (Do not repost my work anywhere else, I will find it.)

Luna, an elf girl aspiring to become a druid, meets the god of death on a walk in the woods. However, her birth father is also a god, and he's decided to insert himself in her life. Follow Luna's journey trying to navigate her godly quest and family drama, all at once.

Tiffany's life was awesome. She loved everything around her. Her small town, her house, her new job. She was even alright with her school. Then her world is flipped on its head. She now has a strange new weapon, and danger lurks around every corner, threatening the world she loves so much. Can her positive attitude (as well as the help of a magical sword) get her through this mess? Or will it all be too much?

Some people disappear slowly. They stop answering texts, stop showing up, stop showering, stop eating real meals. They lock themselves in their rooms and call it comfort and try not to think about the people they've already lost. Sunny is very good at disappearing. Alex isn't very good at letting him. Midnight Catalyst is about grief, self-harm, cigarettes, bad coffee, and what happens when someone refuses to stop seeing you, even when you've given them every reason to.

The body does not forget. Two bodies. Two limits. One silence they both refuse to stay in. After falling at the edge of perfection, Ilia is expected to rebuild. After surgery, Enora is expected to stop. Neither of them does. When movement becomes the only language they trust, distance stops meaning absence. It starts meaning connection.