Historias de Sanskrit

BOOK 1 OF FORBIDDEN SERIES Two kingdoms. One war. And a fire that refused to be extinguished. The battlefield reeked of blood and victory. But all he could see were her eyes-fierce, defiant, brown like the earth that birthed warriors. And in that moment, Rana Abhidev Singh Chauhan, Maharaj of Badhangarh, the undefeated lion of Aryavart, felt something he had never felt before. Not fear. Not mercy. Obsession. He didn't know her name. But he knew one thing-he would have her. As his wife. His queen. His forever. Even if she came for his throat

'Beauty reflects the Heart Bravery reflects the Soul' Etched into the minds of each Kirenian and the seal of the envelope Manika received as she was chosen to serve the palace, the two lined slogan runs deep in the veins of all society in Kirena. Always there in the back of their minds when they meet someone, lying just beneath thoughts when they judge character and concealed beneath the blanket of old wisdom, the words have seldom helped the beautiful or the wretched. The Masked Sisters deflected the echoing words, an organisation allowed under religion, respected under tradition and thriving in the world that despises scrutiny and scrutinises every aspect of a person. For in such a world, the best way for a person to live, is under the mask of venrance. This is the story of Manika, the last sister to serve the palace. ⊹₊⟡ ⋆✴︎˚｡⋆˚☆˖°⋆｡° ✮˖ ⊹₊⟡⋆˚⊹₊⟡ ⋆✴︎˚｡⋆˚☆˖°⋆｡° ✮˖ ⊹₊⟡⋆˚

You may have watched a movie or TV show based on Mahābhārata, or read an adaptation or translation of the story, or even written a fan fiction from the point of view of your favourite character. Have you ever wondered how an incident or dialogue sounded in the original Saṃskṛta text? What values did Kṛṣṇa Vāsudeva, Karṇa Rādheya etc. espouse according to their speeches in the critical edition's reconstruction of the text as it was several centuries ago? Unfortunately, most people of Indian origin or affinity don't make the effort to read Saṃskṛta. Through this book, I would like to make it accessible to my readers. I have created fan fiction and translated the text that inspired it, but please try to sound out the original Saṃskṛta as well, and feel its rhythm. Mahābhārata is fiction in the public domain. Everyone who retells the story adds or ignores something, as I do in this book. You may or may not like my Mahābhārata fan fiction (please tell me either way!), but the purpose of this book is to give everyone the opportunity to read their favourite parts of Mahābhārata in the original Saṃskṛta - a musical, enchanting, and refined language. Your contributions and requests are welcome. The title is spoken by Gāndhārī to Kṛṣṇā Draupadī (Strīparvan 15.20): "Just as you are, even so am I; or who would reassure me?" How many characters from Mahābhārata may have felt lonely in shared experiences? Cover picture of Satyabhāmā Sātrājitī visiting Kṛṣṇā Draupadī is from Mahābhārata with Hindi translation by Paṇḍita Rāmanārāyaṇadatta Śāstrī Pāṇḍeya, Gita Press (Gorakhpur). Cover Credit: devashree_h of India Forums

Rama, the eldest prince of Ayodhya, along with his younger brother Lakshmana, travels with sage Vishwamitra. They learn many things during the journey. They perform many heroic deeds too. This is the first major journey from the Ramayana, the ancient epic from India, written by Valmiki

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A crew in the middle of the sea is stuck in a storm. Read more to find out what happens

It is comprised of eight courses for students of all ages, including post the high school level (Grade 12 or GED). It is the final of three phases that follow - Intermediate, Beginner and Advanced. They make up the Certificate Program in Sanskrit Proficiency. It requires that you have completed the Beginner and Intermediate phases of the Sanskrit proficient program. (Total eight quarters) As students progress in their ability in the language of instruction, they will gradually shift to Sanskrit Studies in a manner that is easy and comfortable. Enroll Program >> https://tinyurl.com/yv85vfn3 CONTACT - 407-205-2118 Overview >> https://www.hua.edu/ EMAIL- saksham.mangwana@hua.edu Address- 5200 Vineland Rd 125 Orlando, FL 32811

Why Everyone Must Learn Sanskrit https://www.languagecurry.com/sanskrit.html

Vālmīki's Rāmāyaṇa inspired the stories in this collection to answer questions such as these: What would Rāma have thought about a monument to mark his janmabhūmi? Why did Rāma tell Bharata that the kingdom was Kaikeyī's bride-price? How did Hanumat get the idea that Rāvaṇa never abducted any unwilling or married woman before Sītā? Why did the luminous herbs disappear when Hanumat came for them? At what age were Rāma and Sītā exiled? Did Hanumat witness Dhānyamālinī or Mandodarī distracting Rāvaṇa from Sītā? How could Mahodara and Mahāpārśva return to battle after they were slain? The title is Saṃskṛta and means "Recognize Ayodhyā In The Wilderness," which was part of Sumitrā's advice to Lakṣmaṇa in Vālmīki's Rāmāyaṇa. The first six chapters are Drabbles of exactly 100 words, and the next eight chapters are Microtales of 15 words. Much later, I added another Drabble as the fifteenth chapter. Each story is based on Vālmīki's Rāmāyaṇa, and supported with citations from the text. Cover Credit: average-student of India Forums, using images from Chitra Ramayana by Balasaheb Pant Pratinidhi.

In Mahābhārata, Kṛṣṇā Draupadī receives Jayadratha hospitably, offering him and his entourage whatever she has on hand for breakfast. Vṛkodara Bhīma and her other husbands have gone hunting because fifty slaughtered animals are not enough to feed them, their brāhmaṇa dependents, and their servants for the day. Kṛṣṇā assures Jayadratha that Yudhiṣṭhira is on his way back with more food: various kinds of antelope and deer and elk (aiṇeya, pṛṣata, nyaṅku, hariṇa, śarabha, ṛśya, ruru, śambara), as well as hares, oxen, boars, buffalo, and other animals. However, Jayadratha is hungry for something other than breakfast, left behind by the Wolf-Belly and her other husbands ... Kṛṣṇā herself! The lifestyles and experiences of diverse characters from Mahābhārata are presented in the other chapters: (1) Satyabhāmā; (2) Śikhaṇḍin's wife Dāśārṇī; (3) Babhru Akrūra's wife Sauvīrī who was abducted by Śiśupāla; (4) Kṛpī; (5) Duḥśalā and Jayadratha; (6) Subhadrā and Uttarā with Parikṣit; (7) Kṛṣṇa's half-brother Jarā and his mother Turī; (8) Prātikāmin the chariot-driver of Duryodhana; (9) Sāmba who pretended to carry Babhru's child while married to Babhru's daughter Vasuṃdharā; (10) Kareṇuvatī the sister of Dhṛṣṭaketu; (11) Ekalavya the son of Śrutadevā; (12) Śakuni's nephews Vikarṇa and Citrasena. The title is Saṃskṛta and means "I'll give you fifty animals for breakfast." Cover Credit: @PriyaArshiSarun

Ṛṡyaśṛṅga guesses that his visitor Alambusā is a woman, a human dimorphic to himself. However, Alambusā dislikes to have a womanly body, preferring to be a man. Alambusa Ārśyaśṛṅgi is the name of a Rākṣasa warrior in Mahābhārata: Alambusa, son of Ṛśyaśṛṅga. My story of the conversation between his parents Alambusā and Ṛśyaśṛṅga builds upon details found in Mahābhārata and Alambusā-jātaka. Unlike other versions of Ṛśyaśṛṅga's story (Mahābhārata and Naḷinikā-jātaka) in which he is the principal character and his misgendering of a sensual woman with masculine and ascetic attributes is humourous, Alambusā-jātaka focusses on Alambusā's spirituality, humility, and extraordinary beauty that Ṛśyaśṛṅga mostly recognizes as feminine. My story inverts Alambusā's motives along with gender identity. The title is Pāḷi and means "Mixed Alambusā Wants Ṛśyaśṛṅga To Mix." Similar words are repeated in the verses of Alambusā-jātaka, but I have changed their inflection from feminine to masculine. The second chapter tells the story of the duel between Bhīma's son Ghaṭotkaca and Duryodhana's son Lakṣmaṇa. Cover credit: oye_nakhrewaali of India Forums

Swara, a modern girl, loves losing herself in old novels. One night, she finds a rare ancient book - a sweeping tale of how the Brahmin Empire rose when a foolish king failed his people. Hidden in its pages is a fleeting mention of an arrogant young princess who fell for a Brahmin, lost her kingdom, and lived the rest of her life behind prison walls. Swara shut the book, unsettled. If I were her, I would never fall so blindly. I would change everything. But fate heard. The next morning, she awoke not in her room - but inside that forgotten world, no longer Swara but the fourteen-year-old princess, the queen's most beloved child. At first, she believed this was her chance to alter destiny. To live differently. To win against the story. Yet she never expected how her own heart would betray her... how the sound of Vedic chants in a temple, the sight of lotus eyes too divine to be mortal, would shake her more deeply than the book ever hinted. She swore she would not repeat the old princess's mistakes. She swore she would not fall. But the tale was already shifting - not to her favor, not to her control. Even when she chose a political marriage to secure her kingdom, even when she tried to walk another path, the fire still came. The palace still burned. And there he stood in the flames. Robes torn, body drenched in red, yet his face glowed like a god's. His sword fell with a clang as he reached for her, his hand - a hand that had never touched a woman before - cupped her trembling face. "Princess," his voice was soft, breaking, "I swore to the Gods to build a wise empire. For that, I need you. I cannot let you go." Swara realized, too late, that destiny had never been hers to rewrite. And She Also knows he never needs her

Jeon Jungkook, a korean boy comes to India to become a sanskrit teacher and then he becomes the best friend of his 10th standard student y/n who is his neighbour too.

Again a short experimental story, exploring the story of Angulimal and the concept of time in myth. Lots of whimsy. Please rate and share if you like it, and leave a comment if you don't. Happy reading!

Certificate Program in Sanskrit Proficiency - Advanced Phase The program comprises eight classes for students of all ages, post high school (Grade 12 or GED). It is the last of three phases that follow - Beginner, Intermediate and Advanced, which together comprise the Certificate Program in Sanskrit Proficiency. It will require that you have completed the Beginner as well as Intermediate phases of the Sanskrit proficient program. (Total 8.4 quarters) As the students grow in their proficiency, the language of instruction will gradually shift to Sanskrit studies and at a rate that is easy and comfortable. It's an eight - Quarter, 88 - week study that prepares students who have prior Sanskrit studies Knowledge to be capable of learning to read, write, and composing simple passages as well as participating in conversations that help them enter higher-level courses with ease. Intermediate Level CPSP is designed for teens and adults who are eager to learn a new language with depth and apply it when studying texts and literature of Hinduism and its numerous derivative knowledge systems. The course is taught by dedicated HUA Faculty members, via an easy-to-use Online Platform, featuring a learning model that employs interactive virtual classrooms. Program Structure: This Certificate Course in Sanskrit studies Proficiency - Advanced Phase is structured in the shape of eight quarters (2 years) sequence, 1.5 Credit hours per quarter. The total will be 120 instructional hours and 240 hours of self-study in total. Innovatively designed using the curriculum and textbooks designed in collaboration with Samskrita Bharati USA (SBusa.org) The course will be based upon material found in the SBusa publication of books such as "SUBHASHA" "SUVAANII" "KUSUMAM" and "SAURABHAM" and will be supplemented with other relevant courses' content. Course- https://www.hua.edu/product/certificate-program-in-sanskrit-proficiency-advanced-phase/