Sociology Stories

Some passage of my next book. Try to bee. Draft.

Questions questions my mind is filled with them. So this is where I am going to write and share my different ideas and questions and see what u guys think so them. I am going to add some commentary to the questions as well.

When your understanding of the world itself is distorted, when every thought is controlled by a higher being, are you still your own person?

Ahavah follows fractured lives colliding with systems that promise peace while hollowing out meaning. It asks what remains of belief when it is regulated, what remains of love when it must be justified, and what remains of the self when every instinct is taught to feel sinful. This is not a story about saving the world. It is a story about surviving the knowledge that it was built wrong. At its heart, Ahavah is about freedom-what we're told it is, what it costs, and whether it can exist at all without loneliness, rebellion, or loss. A cosmic shadow looms in the background, but the true horror lives closer: in compliance, in comfort, in the quiet decision not to ask why. Set in the decaying sprawl of New Pall City, the story follows a cast of fractured people-outcasts, skeptics, believers, addicts, idealists, and the quietly broken-each navigating their own personal wars against systems that claim to protect them while hollowing them out. Courtrooms become confessional chambers. Streets become pulpits. Conversations with strangers reveal more theology than sermons ever did. At its core, Ahavah is not about the end of the world, but about living inside one that has already ended-where faith is weaponized, desire is criminalized, freedom is commodified, and morality is enforced rather than discovered. As the characters confront love, lust, guilt, purpose, and loneliness, they are forced to ask a question more terrifying than any cosmic horror: What does freedom mean when every choice is shaped before you make it? Blending cosmic dread with social critique, Ahavah is a story about people searching for liberation-not just from the State, the Church, or the Market, but from the versions of themselves those forces created. It is a meditation on identity, rebellion, and the thin line between awakening and exile. Once seen, nothing can be unseen. Once questioned, nothing remains simple. And once freedom is pursued, it may never look the way it was promised.

The final instalment of the Ology series. Being trapped in a cage with genius scientists analysing your every move and plotting your death wasn't what Matt ideally wanted when he was swept up from Winchester to go to the so called 'safety'. But saying that, having his younger sister die at the hands of a carrier in a drastic attempt to save Matt and Nick and get them to safety wasn't something he wanted either. After being separated from his best friend, younger brother and fellow travellers, Matt knew it was only a matter of time until the scientists killed him- either the scientists, or his carrier side. Mello and the rest of the group will do anything to save Matt from the hell they came to- even if it involves a bit of criminal activity. ((Death Note/I Am Legend fanfiction, contains swearing and violence :) Also there will be some Matt abuse... It's all for a good cause, promise!))

Needless to say, the copy (from other constitutions) and paste (in the Indian Constitution) work of the so-called framers of our constitution, comprising of the Semitic-naïve caste Hindus and a well-informed, though embittered dalit, as argued above, needs a pragmatic overhaul, for which the level of Hindu awareness about the Abrahamic outrage against their sanātana dharma has to raise to self-respecting heights of Himalayan proportions, hopefully.

Jeneria: The White Citadel is a fantasy novel crafted by Bradley Kim. It centers on young protagonist Jenn, who moves with her family to the mighty city of Denethgilne for her father to find work and lift them out of the country-wide poverty caused by a great war in the past. At first Jenn is excited by the city and the new friends and opportunities it brings her, but soon she discovers that Denethgilne has a city within a city, a place Jenn will wish that she had never discovered. It is here that she'll see the real reason why the rest of the great city seems so peaceful and idyllic, where the Highers and their strict laws keep total control of the city-dwellers, by any means necessary. Author Bradley Kim has crafted a slow-burning tale filled with suspense and vivid descriptions of Jenn's new world, and though the action takes a while to kick in, it's well worth the wait. I thoroughly enjoyed his cast of characters, who felt like real people that were easily imagined in my mind, and I found that I genuinely felt connected to young Jenn as her adventure unfolded. I felt it really added something to the story to see it told through such young eyes, where adult readers can piece together the darkness of the inner city before Jenn's innocent mind can work it all out. Jeneria: The White Citadel is, at its heart, a grisly tale of utopia gone wrong, but it is told with the graceful innocence of childhood, which makes it all the more chilling. #featured

A government official finds himself outraged by the ugly mystery of his succesful capitalist state.

A poem I wrote during class, as it seemed more prudent to do this, that to fall asleep in class. Though now that I read it fully awake, I'm convinced I would've accomplished more falling asleep. Awful! Haha enjoy this free laugh

Provided as a resource for use in pointing out the issues surrounding racism within different parts of society. Please read the disclaimer chapter in the beginning for clarification of intent, etc. Studies taken and adapted from two English A Level Sociology textbooks: Napier Press AQA A Level Sociology Books One and Two 2016 edition. Any other studies will be linked and referenced where appropriate, and credited as required. (Cover made by @ThaFantasticFoursome)

The title is self-explanatory

Sadly for Bharat that is India, even as its ancient ethos was corrupted by inane interpolations in Bhagavad-Gita, its philosophical source, its post-colonial political course in its Constitution was shaped by thoughtless men that lacked hindsight, making it a double jeopardy for the Hindus, its ancient people. While the Hindu social order is beset by the caste-coloured interpolations in the Gita that exacerbate its divisiveness, its demographic matrix is upset by the thoughtless right granted by the Constitution for the propagation of an individual's faith in India's multi-religious setting. So, we should set out to examine the fallacies of the interpolations in the divine discourse and the incongruities in the mundane exercise, tom-tommed as the Idea of India.

Experimental...

As Supreme Court's Basic Structure surmise is nothing but a Doctrine of Division that is bound to undermine India's post-partition integrity, hope that WE THE PEOPLE OF INDIA through our elected representatives would suitably amend the constitution meant for the Utopian Republic of India that is detrimental to our SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC before it is beyond redemption.

Most people believe comparison is natural. That it's how we discover who we are. That without measuring ourselves against others, identity couldn't exist. Twins quietly prove this wrong. Growing up beside someone who shared my age, environment, and early life, I didn't experience rivalry or competition. My brother wasn't a rival, he's my closest friend. Comparison didn't begin between us. It arrived later, imposed by the outside world through parenting, institutions, culture, and eventually social media. This book explores how identity is shaped not by who we are, but by how we are observed. Drawing on the twin experience as a living lens, The Other Half of Me examines how comparison is learned, how it becomes internalised, and how many people slowly reshape their opinions, behaviours, and even values in order to avoid judgment and remain accepted. It looks at the role of parenting, the impact of being treated as a pair versus an individual, the rise of performative identity through visibility, and the way these patterns follow us into adulthood and relationships. This is not a memoir, and it is not a self-help manual. It is a reflective exploration of why so many people feel anxious, uncertain, and disconnected from their true selves and how identity can quietly collapse when it is formed under constant observation. At its core, this book argues one thing: The problem is not reflection. The problem is judgment. And what is lost when we learn to live as an audience to ourselves.

Random poems from the heart, crafted by the mind of a rapper, seen through the eyes of a social scientist.