Sumerian Stories

Research team at Azomad Zeek Ixety , Saquin Dex, Nes Jahrah Androsa, Michael molly James , ˈfläks-ən-ˌbərg the 5th Dartzuar Aatamion. find new ways to combine nanotechnology and Quantum Signiture Evolution to create new bridges from science to mythology, to create advancements in a new branch of science called phedonomoly the study of what happened before and after the formation of the universe. Where are we are humans, what was our history, they dive into quantum mechanical engineering. AZOMAD follows the journey of ˈfläks-ən-ˌbərg V, a gifted quantum mechanical engineer born with an extraordinarily rare mutation known as Divinimity-an inherited ability that allows him to perceive a hidden layer of reality invisible to almost everyone else. While completing his studies in quantum engineering, nanotechnology, artificial intelligence, advanced physics, and ancient languages, Fläks begins uncovering connections between forgotten civilizations, the Great Pyramids, Tartaria, and a planetary energy network hidden beneath Earth's surface. Guided by mysterious beings and ancient knowledge, his research evolves into Phedonomoly-a new field of science exploring what existed before the birth of the universe and what remains after its end. As science and mythology begin to converge, Fläks discovers that humanity's greatest discoveries may have been forgotten rather than lost, and that the truth behind reality itself is far older than history remembers.

They landed, weary, in the harsh sands of the fertile crescent. They rocked the cradle of civilization.

An expedition outside the walls leads to a curious discovery. A mysterious woman accompanied by only her horse and a very protective wolf will travel back to the walls with the scouts. Disclaimer: I do not own the rights to Attack on Titan, or its characters. Credit for the original masterpiece goes to Hajime Isayama. Storylines and characters not part of the original series are mine. This is fanfiction and not to be assumed as canon. That is for Isayama to decide, not me. Do not copy, replicate, or mimic my works in anyway.

Gilgamesh is the oldest epic poem. I took the charcters and the events and wrote my own interpretation. This could be called fan fiction in a way. The Ancient Akkadians and Sumerians own the epic I do not.

In the northern weald, beneath the green auroras of the living sky, Lilith walks among the Ogham Trees-their branches breathing a grammar older than human speech. She listens to the Green Tongue, the language of creation itself, a living symphony of consent and renewal. But in the silence between its words, she begins to hear another calling: the desire to keep what should never be held. At the Hollow Ring, where ancient permission sleeps beneath the ice, Lilith receives a vision of permanence-a language that can be shaped, inscribed, and obeyed. With a shard of glacier-glass and her own resolve, she journeys to the Axis Tree, the heart of the Garden, and carves the first runes into its flawless trunk. Her intention is mercy: to preserve the wisdom of the forests for a world that forgets. Yet the act fractures the Green Tongue itself, dividing the fluid voice of life into script and silence, freedom and law. From her hand is born Vox Fractura-the Broken Voice-a new grammar that will govern ages of men, binding the living word into written decree. Language, once a river, becomes architecture. The earth, once breath, becomes scripture. And the Garden, once whole, learns what it means to carry a scar. Lyrical, devastating, and visionary, the Reed Singer tells the pivotal genesis of loss within the Eärédan Mythos: the moment when love's desire to preserve becomes the seed of exile. It is the tale of how writing began-not as invention, but as trespass; not as rebellion, but as prayer.

A Sumerian portal device is unearthed in southern Iraq. No one knows how the ancients achieved such technology, or whether they found the gods on the other side of the universe. But one thing is clear: the world is ending, and the device may be humanity's last chance of surviving. "The name and cover were entrancing as well as the description and characters both had me intrigued since the beginning...I'm very impressed. Very well-written novel." -LonelyWriter06 "Very interesting story. First of all, I must say I love the title 'The Cedars of Lebanon' which sounds so mystical and beautiful..." - Violetta712 Awards: 1st place winner of the Aeryn Awards 2021, Short Story category. 1st place winner of the Rose Gold Awards 2021, Science Fiction category. 1st place winner of the Botticelli Awards 2021, Science Fiction category. 2nd place winner of the Lucent Awards 2021, Action/Adventure category. 2nd place winner of the Seasonal Contests 2021, Short Story category. 3rd place winner of the Big Dipper Awards 2021, Short Story category. 3rd place winner of the Carnation Awards 2021, Short Story category. Featured by @StoriesUndiscovered in November 2021. Cover created on Canva. Cover Photo by Curioso Photography from Pexels.

The characters dramatize important historical events such as the invention of the alphabet, the first laws, the concept of ethics and morals, right and wrong, democracy, the rise of kings, commerce and how its surplus generated wealth, incited revolutions and shaped our world. The proposal is to stimulate the students' imagination through the staging of some of the most important human events. Everything that was once the present and in whose present time it is rooted. The dialogues are divided into thirteen acts, portraying a specific time and region. The acts are organized in a sequence of detailed plays that dramatize the origin of our customs or events that led us to important historical processes and their consequences.

Before the written word was carved into bark, before the first law bound the living to its shape, there were songs that spoke the world into being. The Lost Tales of Eäréda gathers these elder myths-echoes from the time when forests breathed language and rivers remembered their names. Drawn from the mythopoetic landscape of the Eärédan world, these tales recount the making and unmaking of the Garden: the fall of Enlil and Ninlil, the forging of the Green Tongue, the birth of Gaula the Preserver, and the long sorrow of Lilith the Runechild, whose hand carved the first letters into living wood. Across each story moves the pulse of the earth itself-its grief, its grace, and its unbroken vow to rise again. In luminous prose that fuses scripture, dream, and ecology, Yāreḏ the Descensor restores the ancient cosmology of Gaea-a realm where every tree holds memory, every wind bears a message, and the divine and the mortal speak through root and star alike. The Lost Tales of Eäréda is not merely a book of myths; it is a resurrection of wonder-a testament to the earth's forgotten voice and to the power of language to heal what time has scattered.

Short preview about my book, the full ebook has 130 pages and many rituals. Invocations and hymns to the gods Anuna (Anunnaki). The difference between exorcism and countermagic rites: Maqlû, Šurpu and Namburbû. In addition to the theoretical part, I present practical indications. How to make your own "Shen" (šn) ring like that of the goddess Ishtar, Marduk and other deities. Beautiful illustrations inside. Invocations in Akkadian and Assyro-Babylonian (for magickal and vibrational power) with appropriate translation. Protection rituals with the deity Enki (EA), the sun god Šamaš, and others. Voodoo-like spells in which a clay figurine (Ṣalmu) is made. How to prepare the magick altar (guhšu), offerings, incense, seals and correspondence of each deity. Mesopotamian zodiac signs. Invocation to the 4 cardinal points, trace the magic circle Zisurrû as the Sumerians did. Magickal consecration of salt in Sumerian. Marduk's secret name. Black rituals of Irkalla (the underworld) and invocation of seven demons (Maškim). Various black magick rituals with Pazuzu, Lilikae, Lamashtu, Tiamat, and Nergal. Glossary with Sumerian/Akkadian words. Become an ašipu (sorcerer), immerse yourself in the magickal mysteries of Mesopotamia and Pagan reconstructionism. Tune in and commune with the cosmic energies of the Anunnaki, ancestral rituals, powerful spells.

They are the children of the gods. They are one of the most powerful among the others. They are the ones who can save the world

Ereshki is a Guardian Child, offspring of a demi-God. The Annunaki, the three divine Guardians from the far off Seven Stars, have seeded mortal women of Mars with their children for generations. Ereshki is taller, smarter, and more strange than other mortals of her planet. She will live for hundreds of years. And she resents what sets her apart from the people of the planet that she loves. In her 33rd year, her coming of age, there are disastrous changes happening to her land. Ereshki is soon given the choice to leave Mars for a new planet that the Annunaki Guardians have groomed for their children. Will Ereshki depart for the green and blue planet that will be called Earth with others of her kind? Or will she choose to remain on the doomed red planet?

When vagrant Caleb Stronghold feels an irrestible desire to jump into a burning house, he finds himself in a pitch black world which later puts him on a journey defined with Sumerian gods and goddesses, imperfect creations , courage, hate and love - Background music? Platters' Smoke Gets in Your Eyes . Enjoy!

Who are the Anunnaki ? Where do they come from, Imagine if everything you knew was far from the truth... Imagine if you were the creation of a Divine Species that came before a human race built on mechanics and sorcery,

Elle wants her life, but Carmilla can't fault her for that. After all, Carmilla wants her life too. With an impasse reached, each of the pair wanting one life between them, Carmilla remembers a story Mother once told her and she decides to bring that story to life by going to Mattie and Ereshkigal to ask for one last deal, on her and Elle's behalf both. (Movie ending AU)