Story cover for Sincerely, Mike by paperletterbombs
Sincerely, Mike
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    Partes 27
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    Hora 5h 52m
  • WpView
    LECTURAS 14,894
  • WpVote
    Votos 556
  • WpPart
    Partes 27
  • WpHistory
    Hora 5h 52m
Concluida, Has publicado abr 22, 2017
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After an embarrassing meltdown at the IHeartRadio Festival, Billie Joe Armstrong is sent to rehab to seek treatment for suicidal tendencies, mental illness, and years of substance abuse.  His best friend, Mike Dirnt, feels directly responsible for and horribly guilty about letting Billie's habits reach the level of intensity that they did; he's desperate to give Billie the apology he deserves before it's too late, but when he finds out that the rehabilitation center Billie is staying at won't let him communicate with his friend physically, he is forced to turn to what seems to be his only viable method of communication: the nearly obsolete art of heartfelt correspondence.
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Epistolary.
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Inspired by the song Sincerely, Me from Dear Evan Hansen.
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14
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Woodstock, 1994. 
Collin Grey doesn't belong in the fluorescent lit future that haunts her. A safe, quiet life that fits like someone else's jacket. The cookie cutter American dream. She doesn't quite belong in the chaos, either. So when her best friend drags her to a muddy music festival halfway across the country, she goes, not to rebel, just to breathe. She's not looking to be found. Especially not by Billie Joe Armstrong. He's the kind of alive that makes her nervous grinning through the wreckage, loud without apology. The lead singer of a band she barely listens to, the kind of person who sees right through people like her: the quiet ones. The scared ones. The ones who want more but don't know how to ask. When a rainstorm turns the festival into a swamp of music and chaos, Collin is forced to face everything she's been avoiding, herself included. But Billie? He's not just a distraction. He might be the reckoning. For all his noise, listens in a way no one else ever has. He doesn't try to fix her. He just sees her. It's not a love story. Not yet. But it's the start of something. Something messy & loud.
 Something real. [completed - fka castaway] [started 2015, rewrite x2] 𝘾𝙤𝙣𝙩𝙚𝙣𝙩 𝙒𝙖𝙧𝙣𝙞𝙣𝙜: This book contains strong language, alcohol and drug use, sexual content, mental health struggles, and references to suicide and suicidal thoughts. Reader discretion is advised. 𝘿𝙞𝙨𝙘𝙡𝙖𝙞𝙢𝙚𝙧: This story takes place in the '90s. While the timeline of tours, releases, and events may not be perfectly accurate, care was taken to keep it as close to reality as possible. 
All original characters and storylines are the intellectual property of the author. This excludes the real life figures of Billie Joe Armstrong, Mike Dirnt, and Tré Cool, who are used here in a fictional context. I do not claim ownership of any music referenced. Plagiarism will not be tolerated. If you suspect
Be Quiet de PrivateAIe
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When troubled student Mallory Valentine is caught by the eye of her new music teacher Mr Armstrong, her life becomes surprisingly and quickly messy. Taking on the challenge to teach her at a subject she is aimlessly failing at can seem so much more impossible when she simply doesn't care. "Y'know its your future that's going down the drain here, not mine." He smirked over at me. Tapping the end of his pen on the piece of paper covered in scrawly hand writing, which was an attempt at the task he given me earlier. "Then why are you trying so hard to teach me?" I smirked back, watching his slowly drop. "Because its my job," he stated bluntly, his smug facial expression long gone as his emotionless eyes dropped on to me. the bags under them definitely made him look like some sort of dead undead creature. "Well Mr Armstrong I'm sure my brilliance at this subject will come to me at some point." I Bitterly smiled snatching my sheet back from off his desk. He dreaded teaching me as much as I dreaded being in his class, but the tension between us was only starting to get fun. "Good things come to those who wait," "Oh yeah? Well I'm not the patient type Miss Valentine," "I've noticed and noted, as to why it'll take a while to come to me," "You're a nightmare to teach," "Not to sound too egotistical Mr Armstrong but I do believe I'm probably the funnest nightmare you'll ever experience," "Is a fun nightmare not a dream?" "Not at all. Nightmares are fun for the nightmare... not the one experiencing it," He sighed loudly as I watched him bite away a smirk. "Go sit down. stay still and pay the lesson some attention. And for the love of God be quiet."
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Westbound Sign ➵ Billie Joe Armstrong

66 partes Concluida Contenido adulto

Woodstock, 1994. 
Collin Grey doesn't belong in the fluorescent lit future that haunts her. A safe, quiet life that fits like someone else's jacket. The cookie cutter American dream. She doesn't quite belong in the chaos, either. So when her best friend drags her to a muddy music festival halfway across the country, she goes, not to rebel, just to breathe. She's not looking to be found. Especially not by Billie Joe Armstrong. He's the kind of alive that makes her nervous grinning through the wreckage, loud without apology. The lead singer of a band she barely listens to, the kind of person who sees right through people like her: the quiet ones. The scared ones. The ones who want more but don't know how to ask. When a rainstorm turns the festival into a swamp of music and chaos, Collin is forced to face everything she's been avoiding, herself included. But Billie? He's not just a distraction. He might be the reckoning. For all his noise, listens in a way no one else ever has. He doesn't try to fix her. He just sees her. It's not a love story. Not yet. But it's the start of something. Something messy & loud.
 Something real. [completed - fka castaway] [started 2015, rewrite x2] 𝘾𝙤𝙣𝙩𝙚𝙣𝙩 𝙒𝙖𝙧𝙣𝙞𝙣𝙜: This book contains strong language, alcohol and drug use, sexual content, mental health struggles, and references to suicide and suicidal thoughts. Reader discretion is advised. 𝘿𝙞𝙨𝙘𝙡𝙖𝙞𝙢𝙚𝙧: This story takes place in the '90s. While the timeline of tours, releases, and events may not be perfectly accurate, care was taken to keep it as close to reality as possible. 
All original characters and storylines are the intellectual property of the author. This excludes the real life figures of Billie Joe Armstrong, Mike Dirnt, and Tré Cool, who are used here in a fictional context. I do not claim ownership of any music referenced. Plagiarism will not be tolerated. If you suspect