You are dead

You are dead

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WpMetadataReadOngoing<5 mins
WpMetadataNoticeLast published Fri, Jun 9, 2017
The last works Jamie Ball hears from his fiancée, Logan Somerville, are in a terrified phone call. She has just driven into the underground car park beneath the block of flats where they live in Brighton. Then Jamie hears her scream and the line goes dead. The police are on the scene within minutes, but Logan has vanished, leaving her neatly parked car and mobile phone behind. That same afternoon, workmen digging up a park in another part of the city unearth the remains of a women in her early twenties, which have lain undiscovered for thirty years. At first, to Roy Grace and his team, these two events seem completely unconnected. But then a second young women in Brighton goes missing - and yet another body from the past surfaces. Meanwhile, an eminent London psychiatrist meets a man who claims to know information about Logan. And Roy Grace has the chilling realisation that this information holds the key to both the past and present crimes . . . Does Brighton have its first serial killer in over eighty years?
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|&lt;&gt;| "You and I are used to dealing with mysteries that live on the page." "There are no bad guys. There are just complicated people who did bad things." "I've got enough crime fact in my life. I don't need to read about it." |&lt;&gt;| When crime fiction and MONK nut Alex Walker stumbles upon a missing persons case on her college campus, she is determined to prove to the police department in her small hometown of Brenker, Washington that her discoveries are legitimate. She will do whatever it takes to persuade them, including finding the victim she knows is in danger. Enter Tyler Burns - the mysterious new detective intern with no knowledge of the world that Alex and her companions live in - the world of fictional mystery. He is tall dark and handsome, but with that order comes a side of stubborn, doubtful, and inquisitive. When their worlds collide, the two are forced together to find their vanished victim, but who knows how complicated that will get. But the real question is not whether the victim is found, nor how Alex and Tyler will manage to find them without getting killed - or killing each other. The real question, the only one that matters, the one that has fueled crime fiction - one of the most successful genres in history - is really quite simple. Whodunnit? |&lt;&gt;|

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