Meoka's Mausoleum of Madness
ChocoMeoka
  • Reads 22
  • Votes 0
  • Parts 14
  • Time 13m
  • Reads 22
  • Votes 0
  • Parts 14
  • Time 13m
ChocoMeoka
Ongoing, First published Jul 28, 2017
Mature
circustimedontworryaboutithehe-freeformiconsentedtobeingaclownimtheclownmadnessincarnatementallyachildnotasourceoftherapypoemsofthedeadprobably-freeformselfseriously
TW// Suicidal Ideation, Childhood Depression & Repression, Guilt & Shame, (also) Catholic Guilt, Generational Trauma || 




In 2017, I was a young child. I guess many would call me a girl at that point. Nothing has changed much, despite it being 2024. I was curious about the state of this place, and I laughed as I read some old Wattpad stories. I cried (both happy and sad metaphorical tears) too, for the friends I had, for the friends who lived on.

Seven years, and I still haven't found the end to my madness. I've opened my eyes since those childhood days, and I sometimes I wish I never did. At least I could pretend I was flying when I felt the wind rush against my skin.

No, I was falling. I'm still falling, and I can't see the bottom yet. Almost a decade, I can't see the end, and I wonder if I'll live at the end of it. I'll survive though. I always have. I'm too cowardly to die, and perhaps that's a good thing.

[Cover Image Credit: My Reverse-Adopted Cult Brother-Sibling Nyx]
All Rights Reserved
circustimedontworryaboutithehe-freeformiconsentedtobeingaclownimtheclownmadnessincarnatementallyachildnotasourceoftherapypoemsofthedeadprobably-freeformselfseriously
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14 parts

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Slide 1 of 10
Deep Emotions cover
Love's a Funny Thing (Poetry Collection) cover
A Dreamer's Poetry cover
𝐦𝐞π₯𝐚𝐧𝐜𝐑𝐨π₯𝐲 βž™ 𝘱𝘰𝘦𝘡𝘳𝘺 cover
Ω„ΩŠΨͺΩƒ ياحبيبي Ψ§ΩˆΩ„ احبابي cover
last ~ poetry cover
My Poetry cover
Global Game: AFK In The Zombie Apocalypse Game cover
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bored and horny cover

Deep Emotions

77 parts Ongoing

ΰͺœβ€βž΄ 𝑫𝒆𝒆𝒑 π‘¬π’Žπ’π’•π’Šπ’π’π’” π’Šπ’” 𝒂 π’‘π’π’Šπ’ˆπ’π’‚π’π’• π’‘π’π’†π’•π’“π’š π’ƒπ’π’π’Œ 𝒕𝒉𝒂𝒕 𝒅𝒆𝒍𝒗𝒆𝒔 π’Šπ’π’•π’ 𝒕𝒉𝒆 π’•π’–π’Žπ’–π’π’•π’–π’π’–π’” π’Šπ’π’π’†π’“ π’˜π’π’“π’π’… 𝒐𝒇 𝒂 π’•π’†π’†π’π’‚π’ˆπ’† π’ˆπ’Šπ’“π’, π’‘π’†π’“π’”π’Šπ’”π’•π’†π’π’•π’π’š π’π’—π’†π’“π’”π’‰π’‚π’…π’π’˜π’†π’… π’ƒπ’š 𝒕𝒉𝒆 π’π’†π’ˆπ’π’†π’„π’• 𝒐𝒇 𝒕𝒉𝒐𝒔𝒆 𝒂𝒓𝒐𝒖𝒏𝒅 𝒉𝒆𝒓. π‘«π’‚π’š π’ƒπ’š π’…π’‚π’š, 𝒉𝒆𝒓 π’Žπ’†π’π’•π’‚π’ π’˜π’†π’π’- π’ƒπ’†π’Šπ’π’ˆ π’…π’†π’•π’†π’“π’Šπ’π’“π’‚π’•π’†π’” 𝒂𝒔 𝒕𝒉𝒐𝒔𝒆 𝒂𝒓𝒐𝒖𝒏𝒅 𝒉𝒆𝒓 π’π’—π’†π’“π’π’π’π’Œ 𝒕𝒉𝒆 𝒅𝒆𝒑𝒕𝒉 𝒐𝒇 𝒉𝒆𝒓 π’†π’Žπ’π’•π’Šπ’π’π’‚π’ π’•π’–π’“π’Žπ’π’Šπ’.

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