Abigail is neither genuine nor fake, empathetic or apathetic--or perhaps she is both. She struggles in her daily life to understand both others and herself, but perhaps the past she believed to have conquered confines her most of all. Despite her efforts, her friends seem to be slipping away further as time passes and she is left with frosting eyes.
But Abigail is not lonely. Ever since she was a child, she has been together with others every second of the day. She's been surrounded by her friends, fictional characters, parents that are constantly busy with work, and imaginary audience members. She has always performed, entertained, convinced, and talked to the voices that seem to take shape.
When the voice begins to argue against her, increasingly more malevolent and worryingly more self-sacrificing, Abigail is forced to re-examine herself. Who is she? Who is the voice that has shaped her life thus far? Has Abigail already become the embodiment of hateful deceit?
One thing is for sure: Abigail is so good at manipulation that even she herself cannot remember the truth.
When Pandora opened the box, only Hope was left behind. Does this mean Hope is being protected inside the box, or is it being withheld from humanity? In the end, it is only a matter of perspective. It is only a matter of Pandora's heart.
Werewolves and vampires don't mix, or that's what Kieran Callisto, a seventeen-year-old vampire, has believed all his life - until he falls for the Alpha's son.
*****
When Kieran meets his new classmate, Mason Kane, he bristles with an unexplainable disdain. Soon it becomes apparent why: Mason is a werewolf. But when a fight turns into a sudden kiss that neither expects, Kieran's feelings for Mason turn to attraction in an instant. None of it makes sense - vampires and werewolves are supposed to be mortal enemies, so why does Kieran find Mason so irresistible? He knows that each kiss is dangerous, each bite is unpredictable...