The Lady Behind Curtains!

The Lady Behind Curtains!

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WpMetadataReadOngoing2h 14m
WpMetadataNoticeLast published Tue, Jan 30, 2018
(A MIRACULOUS FANFICTION.) Marinette Dupain-Cheng was chosen to act as Egyptian Ladybug in Jagged Stone's music video- Miraculous! As Lady Luck! But what if Adrien Agreste was chosen to act as the ancient Chat Noir, as well? What adventures await? (The irony freaking hurts.) Also, if I have any grammar mistakes, please be noted that I was a kid when I started most of these chapters. I know. I'm cringing too. But this is for you fantastical readers! It gets confusing, but please bear with my "awkweird-ness" that I thrive in.
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#215
marichat
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Illustration

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"The magazine that Adrien is currently modeling for, has asked that I provide them with a new medium to present Adrien in. They do not want a photoshoot of Adrien, but an artpiece." "Oh?" "And so, I find myself asking you this favour. I want you to make a nude sketch of Adrien." "Huh?!" Marinette Dupain Cheng is commissioned by Gabriel Agreste to draw Adrien, her true love, for a magazine cover. The good part? She's eighteen and ready to start her life. This gives her an opportunity. The problem? Marinette hasn't drawn a human before. Ever. The solution? Lots and lots of practice. As Marinette trains to make a magazine worthy sketch, she and Adrien start developing a relationship far more intimate than that of a model and an artist. Meanwhile, the devious hawkmoth grows ever more frustrated. Ladybug and Chat Noir have to work together, and harder than ever before to keep up with him. This, of course, develops their relationship. What will the outcome be? Read on to find out! Tip: listen to the added songs while reading to create background music for the different chapters. NOTE: CONTAINS SELF-WRITTEN FINAL BATTLE WITH HAWKMOTH I AM ALSO IN THE PROCESS OF ILLUSTRATING THE CHAPTERS SO STAY TUNED DISCLAIMER: I DO NOT OWN ANY OF THE CHARACTERS. ALL CHARACTERS ARE FROM ZAG ANIMATION STUDIO'S MIRACULOUS LADYBUG. Warning: contains mild swearing.

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