Story cover for THE POSTMODERN MALADY OF DR. PETER HUDSON by DChapman1980
THE POSTMODERN MALADY OF DR. PETER HUDSON
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    Reads 113
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    Parts 5
  • WpHistory
    Time 1h 35m
  • WpView
    Reads 113
  • WpVote
    Votes 9
  • WpPart
    Parts 5
  • WpHistory
    Time 1h 35m
Ongoing, First published Mar 15, 2014
April, 1814. As news of Lord Byron’s death sweeps London, two young prostitutes are found murdered. The murderer, and his shocking motive, becomes a secret passed down from father to son, one which remains undisclosed for nearly 200 years. It is the truth of Dr. Peter Hudson, who witnessed modernity evaporate into uncertainty, a man who embodies the contemporary human condition like no other. The novella, The Postmodern Malady of Dr. Peter Hudson, is the title story in this collection of eight short stories that unite around themes of time, memory and identity. Each is an experiment in convention, characterisation, and genre that use the tropes of crime, murder, and the paranormal to explore the contradiction between abstract understanding, and lived reality. These are stories about the reconciliation of these ideas in the midst of the human obsession with immortality and frailty.
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The Second Stage by benjaminburkett
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A world unseen dies over and over. It shrieks at a pitch that you cannot hear. It rots with a stench that you will never quite know. It isn't a place meant for you and I, it is merely a bank for the dead and dying; a vault of visceral agony. It's function, origin and purpose are as cryptic and chilling as the vengeful spirits whose claws scratch and teeth rattle just beyond the thick, putrid mist that seeps over its endless surface. Yet, through all the horrifying and inexplicable unknowns, this place has one certainty: it doesn't take kindly to guests. Meredith Haynes fell into The Second Stage during a routine surgery she was monitoring. She scrambled through it's empty expanses and fled from the decaying demonic mockery of a human being. With good fortune and great agility for a woman her age, she escaped with both her life and sanity, a miracle should miracles exist. Anyone of sound mind would never return, and spend the rest of their days in the company of friends and nights in the company of bright lights. However, Meredith met someone she never expected to see again, someone that might remove her from the ranks of those well advised souls that would never return. Now, in the days of silence thereafter, her mind wanders back to the one thing that might convince her to return, the one thing that will convince her to return. But what Meredith doesn't yet understand, is that the Second Stage has no windows, no entrances and no exits, for it accepts you when it wishes and releases you when it's finished.
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Dorothea Hawes has no wish to renew contact with what lies beyond the veil. After an attempt to take her own life, she has retired into seclusion, but as the wounds on her body heal, she is drawn back into a world she wants nothing more than to avoid. She is sought out by Julian Chissick, a former man of God who wants her help in discovering who is behind the gruesome murder of a young woman. But the manner of death is all too familiar to Dorothea, and she begins to fear that something even more terrible is about to unleash itself on London. And so Dorothea risks her life and her sanity in order to save people who are oblivious to the threat that hovers over them. It is a task that forces her into a confrontation with her own lurid past, and tests her ability to shape events frighteningly beyond her control.