Writing Poetry
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π™²πš‘πšŠπš—πšπšŽ 𝕋𝕙𝕖 𝘚𝘱𝘳π˜ͺ𝘡π˜ͺ α΅’αΆ  𝔏𝔬𝔳𝔒 ʰᡉᡉʰᡒᡒⁿ    αž”αŸ’αžŠαžΌαžšαžœαž·αž‰αŸ’αž‰αžΆαžŽαž…αžΆαž”αŸ‹αžŸαŸ’αž“αŸ‚αž αŸ by sunsun_bl
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αžšαžΏαž„αžšαŸ‰αžΆαžœαž”αŸ‚αž”αž˜αž·αž“αž’αž˜αŸ’αž˜αžαžΆαž˜αž½αž™ αž–αžΈαž€αŸ’αž˜αŸαž„αžŠαŸ‚αž›αž‚αŸαžαŸ’αžšαžΌαžœαž‚αŸαž’αŸ’αžœαžΎαž”αžΆαž”αž”αŸ’αžšαŸ‚αž€αŸ’αž›αžΆαž™αž‡αžΆαž’αŸ’αž“αž€αž”αŸ’αžšαž»αžŸαžŠαŸ‚αž›αž˜αžΆαž“αž’αŸ†αžŽαžΆαž…αž€αžΆαž…αž˜αž·αž“αž’αž˜αŸ’αž˜αžαžΆ αžœαžΆαž‡αžΆαž€αžΆαžšαž”αŸ’αžŠαžΌαžšαžœαž·αž‰αŸ’αž‰αžΆαžŽαž˜αž½αž™αž…αžΌαž›αžαŸ’αž›αž½αž“αž˜αž½αž™αž‘αŸ€αž αž αž½αž™αŸŽ αž€αŸαž”αŸ’αžšαŸ‚αžαŸ‚αž‚αŸαžαŸ’αžšαžΌαžœαž”αžΆαž“αžŠαžΆαž€αŸ‹αžˆαŸ’αž˜αŸ„αŸ‡αžαžΆαž‡αžΆ omega αžαŸ‚αž”αŸ‰αž»αžŽαŸ’αžŽαŸ„αŸ‡ αž”αŸ‰αž»αž“αŸ’αžαŸ‚αž€αžΆαžšαžŠαŸ‚αž›αž˜αžΆαž“αž—αŸαž‘αž‡αžΆ omega αž‚αžΊαžαŸ‚αž„αžαŸ‚αžαŸ’αžšαžΌαžœαž‚αŸαž˜αžΎαž›αž„αžΆαž™αž‡αžΆαž“αž·αž…αŸ’αž…αž–αŸ’αžšαŸ„αŸ‡αž‘αž“αŸ‹αžαŸ’αžŸαŸ„αž™ αžαžΎαž“αžΉαž„αž˜αžΆαž“αžšαžΏαž„αž’αŸ’αžœαžΈαž€αžΎαžαž‘αžΎαž„αž€αŸ’αžšαŸ„αž™ omega αžαžΌαž…αž”αŸ’αžŠαžΌαžšαžœαž·αž‰αŸ’αž‰αžΆαžŽαž αžΎαž™ αž‚αŸαž”αžΆαž“αž‡αž½αž”αž‡αžΆαž˜αž½αž™ Mafia αž˜αŸ’αž“αžΆαž€αŸ‹αž“αŸ„αŸ‡...αž αžΎαž™Mafia αž˜αŸ’αž“αžΆαž€αŸ‹αž“αŸ„αŸ‡αž‡αžΆαž˜αž·αžαŸ’αžαž€αžΆαž›αž‚αŸαž“αŸ…αž“αžΉαž„αžšαžΆαž„αž€αžΆαž™αž…αžΆαžŸαŸ‹
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Slide 1 of 10
Shakespeare's 154 Sonnets (Completed ) cover
Fright Guidebook cover
π™²πš‘πšŠπš—πšπšŽ 𝕋�𝕙𝕖 𝘚𝘱𝘳π˜ͺ𝘡π˜ͺ α΅’αΆ  𝔏𝔬𝔳𝔒 ʰᡉᡉʰᡒᡒⁿ    αž”αŸ’αžŠαžΌαžšαžœαž·αž‰αŸ’αž‰αžΆαžŽαž…αžΆαž”αŸ‹αžŸαŸ’αž“αŸ‚αž αŸ cover
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Shakespeare's 154 Sonnets (Completed )

154 parts Complete

Shakespeare's Sonnets is the title of a collection of 154 sonnets by William Shakespeare, which covers themes such as the passage of time, love, beauty and mortality. The first 126 sonnets are addressed to a young man; the last 28 to a woman. The sonnets are almost all constructed from three quatrains, which are four-line stanzas, and a final couplet composed in iambic pentameter. This is also the meter used extensively in Shakespeare's plays. The rhyme scheme is abab cdcd efef gg. Sonnets using this scheme are known as Shakespearean sonnets. Often, the beginning of the third quatrain marks the volta ("turn"), or the line in which the mood of the poem shifts, and the poet expresses a revelation or epiphany.