Varney the Vampire

Varney the Vampire

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WpMetadataReadConcluída qui, set 25, 201453h 53m
The storm has ceased -- all is still. The winds are hushed; the church clock proclaims the hour of one: a hissing sound comes from the throat of the hideous being, and he raises his long, gaunt arms -- the lips move. He advances. The girl places one small foot on to the floor. She is unconsciously dragging the clothing with her. The door of the room is in that direction -- can she reach it? Has she power to walk? -- can she withdraw her eyes from the face of the intruder, and so break the hideous charm? God of Heaven! is it real, or some dream so like reality as to nearly overturn judgment forever? THE VAMPYRE! --- Varney the Vampire; or, the Feast of Blood was a Victorian era serialized gothic horror story by James Malcolm Rymer (alternatively attributed to Thomas Preskett Prest). It first appeared in 1845–47 as a series of cheap pamphlets of the kind then known as "penny dreadfuls". The story was published in book form in 1847. It introduced many of the tropes present in vampire fiction recognizable to modern audiences to this day.
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This is a collection of five miscreant tales: "The Grotesque There Is", "A Mere Clock", "Mayara", "The Lethargy" and "Animalia". Here are the synopses of each story in this book: "The Grotesque There Is" is actually a performance of two short stories. The first (initially called "Equine Hiring") is a mostly dialogue story about a horse in a job interview. The second tells the chronicle of the two men who stood in the rain. "A Mere Clock" is a narrative in the 1st person that tells the adventures of a mere wristwatch. At the first impact, the characters seem far from the reader, but the last paragraph ends up in a contemporary narration. "Mayara" tells the story of an egoistic girl that falls in love with a young man. Later, this man doesn't satisfy himself with her selfishness and ends up infuriating the girl, which leads to a series of tragedies and anguish, all due to the destructible retaliation. "The Lethargy" is an imaginary, almost parabolic narrative where the protagonist is a sleepy student disappointed in himself. "Animalia" is a first-person novelette of a teenage love affair between a bass player and a pretty who turns out to be a beast, making the story a real wild and raw mess. PS.: Some of these stories may present sensitive content and metaphorical representation of violence, although I do not consider any of these occurrences really timely characterised as 'mature content' since such matters are dealt with discreetly and with no compromise. Anyway, if you are uncomfortable with any approach to mature content, I suggest not reading "The Lethargy" & "Animalia". 🧡 #theseasonalcontests Book cover art: "Sogno Del Demiurgo" by Alessandro Sicioldr.

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