Between the Lines|On-Hold|Revising
  • Membaca 458
  • Suara 157
  • Bagian 5
  • Membaca 458
  • Suara 157
  • Bagian 5
Sedang dalam proses, Awal publikasi Jun 06, 2020
Dewasa
Aella Raine Angeles has known hardship from a young age. Orphaned and left to fend for herself, she works tirelessly to survive. Her life, though challenging, is calm and predictable until she crosses paths with Chace Carson. Chace, accustomed to a life of privilege, is immediately captivated by Raine's strength and resilience.

Despite their vastly different worlds, Raine and Chace fall deeply in love. Their relationship is a beacon of hope and joy in their otherwise tumultuous lives. However, their love is soon tested by a series of obstacles. Friends, family, and unforeseen circumstances conspire to keep them apart, challenging the depth of their commitment to each other.

As they navigate these challenges, they must confront difficult questions: Will their love withstand the trials they face? Are they truly destined to be together? The journey they embark on is one of sacrifice, where both must consider what they are willing to give up for the other.

Not all love stories have happy endings. Some are sad, others tragic. In the end, love is about sacrifice. But whose sacrifice will define their future? And will it be enough to secure their happiness together forever?
Seluruh Hak Cipta Dilindungi Undang-Undang
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Hate Me Till You Love Me oleh LOryViEn143
30 Bagian Sedang dalam proses
πš‚πš’ π™³πš˜πšŒπšπš˜πš› π™΅πš›πšŠπš—πš—πš’πšŽ π™»πš˜πš™πšŽπš£ 𝚊𝚒 πš”πš’πš•πšŠπš•πšŠ πš‹πš’πš•πšŠπš—πš, πš™πšŠπš•πšŠπš—πšπš’πšπš’, πš–πšŠπš‹πšŠπš’πš, πšœπš˜πšπšπš‘πšŽπšŠπš›πšπšŽπš πš™πšŽπš›πš˜ πš—πšŠπš πšŠπš•πšŠ πš•πšŠπš—πš πš’πšžπš—πš πš•πšŠπš‘πšŠπš 𝚜𝚊 πš’πšœπšŠπš—πš πš’πšπš•πšŠπš™ πšœπš’πš–πšžπš•πšŠ πš—πšžπš—πš πš–πšŠπš–πšŠπšπšŠπš’ πš’πšžπš—πš πšπš’πš›πš•πšπš›πš’πšŽπš—πš πš—πš’πšŠ 𝚜𝚊 πš’πšœπšŠπš—πš πšŠπš”πšœπš’πšπšŽπš—πšπšŽ π™ΏπšŽπš›πš˜ πš”πšŠπš‘πš’πš πšŠπš•πšŠπš– πš—πš’πšŠπš—πš πšŠπš”πšœπš’πšπšŽπš—πšπšŽ πšŠπš—πš πš—πšŠπš—πšπš’πšŠπš›πš’ 𝚊𝚒 πšœπš’πš—πš’πšœπš’πšœπš’ πš—πš’πšŠ πš’πšžπš—πš πšœπšŠπš›πš’πš•πš’ πš—πš’πšŠ 𝚜𝚊 πš™πšŠπšπš”πšŠπš–πšŠπšπšŠπš’ πš—πš’πšπš˜ πšπšŠπš‘πš’πš• πš‘πš’πš—πšπš’ πš—πš’πšŠ πš—πšŠπš’πš•πš’πšπšπšŠπšœ πš˜πš› πš—πšŠ πš›πšŽπšŸπš’πšŸπšŽ πš’πšžπš—πš πšπš’πš›πš•πšπš›πš’πšŽπš—πš πš—πš’πšŠ πš—πšŠ πšœπš’ π™ΉπšŠπš—πš’πšŒπšŽ π™°πš πš‹πšžπš”πš˜πš πšπšžπš— πšœπš’πš—πš’πšœπš’πšœπš’ πšπš’πš— πš—πš’πšŠ πš’πšžπš—πš πš”πšŠπš’πš‹πš’πšπšŠπš— πš—πš’ π™ΉπšŠπš—πš’πšŒπšŽ πš—πšŠ πšœπš’ π™°πšπšπš’ π™ΌπšŠπš›πšπšŠπš›πšŽπšπš‘ πšπšŠπš‘πš’πš• πš”πšžπš—πš πš‘πš’πš—πšπš’ 𝚍𝚊𝚠 πš—πš’πšŠ πš™πš’πš—πš’πš•πš’πš πš’πšπš˜ πš—πšŠ πšœπšžπš–πšŠπš–πšŠ 𝚜𝚊 πš”πšŠπš—πš’πšŠ 𝚊𝚒 πš‘πš’πš—πšπš’ πš–πšŠπšπšŠπšπšŠπš–πšŠπš’ πšœπš’ π™ΉπšŠπš—πš’πšŒπšŽ 𝚜𝚊 πšŠπš”πšœπš’πšπšŽπš—πšπšŽ.
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Slide 1 of 10
Hate Me Till You Love Me cover
Chasing You (Friendly Rivalry) the beginning of a love story cover
Sex Mate (Completed)  cover
Unholy Sinner  [R-18] cover
Ocean of Feathers cover
Dry your tears (Intersex) [On-Going] cover
The Red Treasure  cover
SHAYA: My Possessive Boyfriend (COMPLETED) cover
Falling For Mrs. Knutson (Completed) cover
So Into You (Completed) cover

Hate Me Till You Love Me

30 Bagian Sedang dalam proses

πš‚πš’ π™³πš˜πšŒπšπš˜πš› π™΅πš›πšŠπš—πš—πš’πšŽ π™»πš˜πš™πšŽπš£ 𝚊𝚒 πš”πš’πš•πšŠπš•πšŠ πš‹πš’πš•πšŠπš—πš, πš™πšŠπš•πšŠπš—πšπš’πšπš’, πš–πšŠπš‹πšŠπš’πš, πšœπš˜πšπšπš‘πšŽπšŠπš›πšπšŽπš πš™πšŽπš›πš˜ πš—πšŠπš πšŠπš•πšŠ πš•πšŠπš—πš πš’πšžπš—πš πš•πšŠπš‘πšŠπš 𝚜𝚊 πš’πšœπšŠπš—πš πš’πšπš•πšŠπš™ πšœπš’πš–πšžπš•πšŠ πš—πšžπš—πš πš–πšŠπš–πšŠπšπšŠπš’ πš’πšžπš—πš πšπš’πš›πš•πšπš›πš’πšŽπš—πš πš—πš’πšŠ 𝚜𝚊 πš’πšœπšŠπš—πš πšŠπš”πšœπš’πšπšŽπš—πšπšŽ π™ΏπšŽπš›πš˜ πš”πšŠπš‘πš’πš πšŠπš•πšŠπš– πš—πš’πšŠπš—πš πšŠπš”πšœπš’πšπšŽπš—πšπšŽ πšŠπš—πš πš—πšŠπš—πšπš’πšŠπš›πš’ 𝚊𝚒 πšœπš’πš—πš’πšœπš’πšœπš’ πš—πš’πšŠ πš’πšžπš—πš πšœπšŠπš›πš’πš•πš’ πš—πš’πšŠ 𝚜𝚊 πš™πšŠπšπš”πšŠπš–πšŠπšπšŠπš’ πš—πš’πšπš˜ πšπšŠπš‘πš’πš• πš‘πš’πš—πšπš’ πš—πš’πšŠ πš—πšŠπš’πš•πš’πšπšπšŠπšœ πš˜πš› πš—πšŠ πš›πšŽπšŸπš’πšŸπšŽ πš’πšžπš—πš πšπš’πš›πš•πšπš›πš’πšŽπš—πš πš—πš’πšŠ πš—πšŠ πšœπš’ π™ΉπšŠπš—πš’πšŒπšŽ π™°πš πš‹πšžπš”πš˜πš πšπšžπš— πšœπš’πš—πš’πšœπš’πšœπš’ πšπš’πš— πš—πš’πšŠ πš’πšžπš—πš πš”πšŠπš’πš‹πš’πšπšŠπš— πš—πš’ π™ΉπšŠπš—πš’πšŒπšŽ πš—πšŠ πšœπš’ π™°πšπšπš’ π™ΌπšŠπš›πšπšŠπš›πšŽπšπš‘ πšπšŠπš‘πš’πš• πš”πšžπš—πš πš‘πš’πš—πšπš’ 𝚍𝚊𝚠 πš—πš’πšŠ πš™πš’πš—πš’πš•πš’πš πš’πšπš˜ πš—πšŠ πšœπšžπš–πšŠπš–πšŠ 𝚜𝚊 πš”πšŠπš—πš’πšŠ 𝚊𝚒 πš‘πš’πš—πšπš’ πš–πšŠπšπšŠπšπšŠπš–πšŠπš’ πšœπš’ π™ΉπšŠπš—πš’πšŒπšŽ 𝚜𝚊 πšŠπš”πšœπš’πšπšŽπš—πšπšŽ.