The Scent of Death
  • Reads 11,053
  • Votes 1,963
  • Parts 42
  • Time 6h 22m
  • Reads 11,053
  • Votes 1,963
  • Parts 42
  • Time 6h 22m
Complete, First published Feb 09, 2021
Mature
When all hope is lost. When there's no-one else left to call...
Dudley the Labrador is a cadaver dog specifically trained to sniff out human remains. His handler, Jennifer, suffers from an unusual phobia which has left her socially isolated.
When together they uncover the corpse of a missing child, Jennifer begins to feel a deep, personal connection to the case. Dissatisfied by the direction of the official police investigation, she resolves to unravel the mystery herself. In doing so, she must first unravel herself...

Readers' comments (final chapter): 'great book', 'superb' 'wonderful, incredible, fantastic!' 'wow, just wow', 'wonderfully satisfying', 'I love this book'

Status: completed
Genre: mystery/suspense
Target readership: adults
Narrative style: psychological depth, frequent twists, semi-literary
Length: 75,000 words (approximately 300 standard novel pages)

Author: Michael D Smith, Wattys award winner (The Painted Altar, 2020, literary fiction)

Extract:

It was then that the barking came, somewhere a hundred or so metres off to my right. Not his usual playful response, but instead a focused, constant noise - a quick-fire volley of woofs like rounds from a machine gun. His 'found something' bark.

My heart quickened along with my step, the flashlight boring through the darkness. The moist barks of the trees deflected against my outstretched hand; pernicious branches whipped at my thighs, my chest, my face.

"Stay there boy! You just stay right there."

The barking was incessant, grew louder with each step. At last the thick maze of tree trunks relented and there he was, framed in the soft-edged beam of the torchlight in the centre of a small clearing. His tail swooshing manically, snout directed at the ground.

Stooping myself down beside him, I slanted the flashlight to the earth, squinted in close examination. Nothing - just dirt, twigs and damp leaves.

A shallow grave.

The lifeless body of Meghan Shaw had been tossed into a shallow grave.
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WATTYS WINNER 2020 Two interconnected murders, 64 years apart. One woman's search for truth and identity. Readers' comments: 'a masterpiece', 'impeccably written', 'amazing', 'superbly crafted page-turner', 'hauntingly beautiful', 'tremendous plot and character development', 'one of a kind', 'fantastic story telling', 'loved this book', 'a wonderful read", 'absolutely beautiful', 'brought tears to my eyes' and many more Wattys judging panel: 'This is VERY good. We were HOOKED from the beginning, and the writing and plot hold up throughout. This is a very unique, polished, well-written and well-researched piece.' Plot Set partly in rural England, partly on the sun-kissed coast of southerm Italy, The Painted Altar is a murder mystery mixed with romantic and historical elements (World War Two). Given away at two days old, Mary Rice has spent her life in the shadows. When discovering the suspicious circumstances surrounding her biological mother's death, she embarks on a journey which will shine a light not only on the truth but also on her own identity. Brief extract Suddenly, the door had inched open, half a wrinkled face visible behind the tautened chain. "Hello. Who is it?" The words I was going to say had of course been well-rehearsed, repeated over and over in my mind like a mantra, but now that the moment had arrived I found myself struggling to remember them. "Mrs Harvey... I think that you might... well, that you might be..." The door closed, then slowly opened once more, the chain this time unlatched. And there she was before me - half a metre away, within arm's reach. Thin lips gradually crooking upwards at each corner like the slow beatific kindling of a summer's dawn. "Oh yes love, I know who you are." Length: 70,000 words About the author: Originally from England but for the last 16 years I've been living in Italy. I hope therefore that the Italian aspects of the novel will have a certain gloss of authenticity.
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