The Other Romanoff
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MatureComplete Mon, Mar 18, 20248h 12m
Natasha Romanoff had many stories she could tell.
A life as an Avenger; the heroic tales of saving the Earth.
A life as a S.H.I.E.L.D. agent; the courageous adventures of keeping peace under the radar.
Though, the greatest number was of a life as an assassin; the terrifying horrors of a young killer for The Red Room.
However, no matter how much one would pry and nag into her life, the Black Widow never budged in her secrecy. No tale would escape her lips, no adventure from her heart would be told. Thus, less than a handful knew what her past had done to her, what scars it had left behind. And even fewer knew the worst story of all.
The story that left Natasha Romanoff with an incurable wound, a regret bigger than life itself.
Though, unknown to her, her greatest mistake did not result in what she believed.
The little girl she thought to be dead was still alive.
This is the secret story of Lena Romanoff.
_______
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This fanfiction follows the storyline of the Marvel Cinematic Universe made by ©Disney.
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All rights are reserved to Marvel for their characters, movies, and lines. I do not own any of them, only my OC's and a few side characters, as well as this story's plot.
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𝑀𝑦 𝐿𝑖𝑡𝑡𝑙𝑒 𝑆𝑝𝑎𝑟𝑘 || 𝑅𝑜𝑚𝑎𝑛𝑜𝑔𝑒𝑟𝑠 𝑜𝑛𝑒𝑠ℎ𝑜𝑡𝑠
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protected || natasha romanoff [DISCONTINUED]
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[18+] A nondescript duffel bag appears in Times Square, its tag bearing one urgent instruction: call the Avengers. Inside, they find a woman with no identity and no memory... and bioluminescent tattoos on her back spelling three names: Rogers, Romanoff, Stark. Natasha can't shake the feeling she's seen this woman before. Tony believes she's a long-lost Stark sibling. And Steve finds himself drawn to her resilience and mystery, even when questions about her loyalties loom. Torn between fragments of a past she can't remember and the promise of a future with the Avengers, Y/N must uncover the truth of her own existence before it destroys everyone she's come to care about. **PLEASE NOTE** This story leans heavily toward mutants in power and human experimentation during South Africa's Apartheid era. These elements are presented as part of the dystopian world-building and are not intended to romanticise or trivialise the real historical trauma of Apartheid or racial discrimination!
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