the BEAUTY And SORROW

the BEAUTY And SORROW

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WpMetadataNoticeÚltima publicación jue, jul 28, 2022
THE BEAUTY AND THE SORROW AN INTIMATE HISTORY OF THE FIRST WORLD WAR BY PETER ENGLUND TRANSLATED BY PETER GRAVESRELEASE DATE: NOV. 11, 2011 The Great War, as experienced by 20 ordinary people. There is no shortage of histories of World War I written from the viewpoints of the generals and statesmen who drove the grand strategies. Swedish historian Englund (The Battle that Shook Europe: Poltova and the Birth of the Russian Empire, 2002, etc.) takes a different approach, creating a history of the war as perceived by 20 individuals scattered across the globe. Among them: an Australian woman driving ambulances for the Serbian army; a Venezuelan soldier of fortune in the Ottoman cavalry; the American wife of a Polish aristocrat, whose home was wrecked and then turned into a hospital for typhus victims by the occupying Germans; a French civil servant; a Scotsman fighting Germans in East Africa, a 12-year-old German girl, and a dozen others. The war began for them in an explosion of optimistic patriotism but descended inexorably into cynicism, horror, suffering, privation and exhaustion. Through it all they endured, trying to make sense of it and bear up with their dignity and humanity intact. There are adventures and battles, of course, but also many moments of quiet contemplation with closely observed details of street scenes, restaurants, railway stations and deserted battlefields. Englund unobtrusively includes helpful background information within the text or in footnotes. The text is based largely on diaries, letters and memoirs, from which the author quotes copiously, but most of the narrative is his own, an artful condensation of his source materials into brief passages faithful to the experiences and emotional states of his subjects. Largely written in the present tense to maintain the sense of immediacy, it is by turns pithy, lyrical, colorful, poignant and endlessly absorbing.
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"Bitterness is unbecoming of a woman, but I cherish mine like the memory of first love. I see nothing in Leon Wagner, but an automaton. He is a machine of the Third Reich. I am surprised he even bleeds." In the summer of 1945, the world rejoices at the surrender of first Germany then Japan, but healing is a long time coming. Though they are not visible, Ruth Tucker's wounds run deep. Having worked as a nurse for the American Red Cross since the invasion of Normandy, Ruth's hatred for her country's former enemy runs deep. While stationed in Zell am See, Austria, she is assigned to nurse in a German POW camp. She meets a young Wehrmacht soldier, Leon Wagner, who speaks English and strives to spark a friendship with her. But Ruth's bitterness is almost too strong. All she sees in Leon is a heartless machine. Slowly, through a shared love of books and their families, she begins to recognize his humanity and starts to feel her own stir in her heart, something she thought long deadened by the months of violence.

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