To
Caroline Grosvenor
During the past year, in the intervals of an active life, I have
amused myself with constructing this tale. It has been scribbled in
every kind of odd place and moment - in England and abroad, during
long journeys, in half-hours between graver tasks; and it bears, I
fear, the mark of its gipsy begetting. But it has amused me to write,
and I shall be well repaid if it amuses you - and a few others - to read.
Let no man or woman call its events improbable. The war has
driven that word from our vocabulary, and melodrama has become the
prosiest realism. Things unimagined before happen daily to our friends
by sea and land. The one chance in a thousand is habitually taken,
and as often as not succeeds. Coincidence, like some new Briareus,
stretches a hundred long arms hourly across the earth. Some day, when
the full history is written - sober history with ample documents - the
poor romancer will give up business and fall to reading Miss Austen
in a hermitage.
The characters of the tale, if you think hard, you will recall.
Sandy you know well. That great spirit was last heard of at Basra,
where he occupies the post that once was Harry Bullivant's. Richard
Hannay is where he longed to be, commanding his battalion on the
ugliest bit of front in the West. Mr John S. Blenkiron, full of
honour and wholly cured of dyspepsia, has returned to the States,
after vainly endeavouring to take Peter with him. As for Peter, he
has attained the height of his ambition. He has shaved his beard
and joined the Flying Corps.
WATTPAD BOOKS EDITION
Griffin Tomlin is dead. And Clara's sister killed him . . .
Four months after the murder, the entire town of Shiloh is still in shock. For Clara Porterfield, the normal world has crumbled around her in a million chaotic pieces. Now Clara lives in a new reality, where her sister awaits trial for murder, her mother obsessively digs in a dead, frozen garden, and her father lives and breathes denial. At school, Clara is haunted by her classmates' morbid curiosity-and all of the unspoken questions they won't ask.
But none of them knows what she knows . . .
Now Clara's sister wants something from her-the one thing in all of this that Clara isn't ready to face: the truth about what really happened that night. Because this story didn't die with Griffin Tomlin. There's another story that needs to be told. And sometimes, the lies we're told are nowhere near as deadly as the lies we tell ourselves . . .