El Existencialismo de Antoine Roquentin
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  • Parts 1
  • Time 8m
  • Reads 4
  • Votes 0
  • Parts 1
  • Time 8m
Ongoing, First published Dec 12, 2022
El siguiente escrito trata sobre la parte existencial que se puede ver en la novela del filósofo francés Jean-Paul Sartre, La Náusea, y cómo esta afecta al personaje principal y narrador de la historia, Antoine Roquentin, quien tiene un sentimiento que no puede identificar del todo, y hace que vea de manera particular las cosas. Así mismo, va a tratar otras temáticas que se pueden ver en la novela como la nada y la contingencia, que juegan un rol muy importante y significativo.
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Dear Reader, The following work was found sealed in the library of a castle, belonging to an ancient noble family, in the Champagne region to the east of Paris. The dates of the events contained within are attributed to sometime in the 18th century. It appears that any other record of the Marquis featured within, and the estate that he kept, have since been expunged from historical record. It is as if there was an omertà (conspiracy of silence) which sought to erase him entirely from collective memory - one that might have succeeded if not for the astonishing recovery of these letters. It has been my duty to act as caretaker to this work since I agreed to its restoration. I have found, regrettably, that my colleagues have failed to grasp the momentous importance of these letters and their wider significance. There is, I admit, some question of authenticity that requires consideration. For my part, I have forcible reasons to believe that these letters are genuine. I have submitted the work to a broader audience, however, for precisely this object; I have hope that, by breaking outside the narrow remit of literary academia, I may yet find a willing readership committed to studying these letters as seriously as I have. As the Judge might once have heard it, so the Reader shall hear it now. Unfortunately, I must also include a notice of warning: the letters of Charlotte B--- speak of diabolical horrors and the direst human cruelty. I believe that, were these letters recognised, they would take the place as the first of the modern écritures maudits (damned writings), above de Sade or Corbière. Hence, I recognise that such subject matter is certainly not for everyone. Should you decide to turn to more pleasant reading, I certainly could not blame you. The world can be a sombre and unforgiving place without having to reflect on its grimmest parts. The choice to continue, Reader, is entirely your own. Yours faithfully, Dr. Samuel J. Collins
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