From Shadows to Sunlight: A Journey of Liberation and Love🧿
  • MGA BUMASA 2,439
  • Mga Boto 168
  • Mga Parte 22
  • Oras 2h 22m
  • MGA BUMASA 2,439
  • Mga Boto 168
  • Mga Parte 22
  • Oras 2h 22m
Ongoing, Unang na-publish Dec 27, 2023
Step into a world where tradition casts a dark shadow on women, treating them as less than human. Meet a brave heroine who, despite her fears, discovers love with her husband and support from her in-laws. It's a story about breaking free from old beliefs, finding confidence, and embracing love in a journey from darkness to light.
All Rights Reserved
Sign up to add From Shadows to Sunlight: A Journey of Liberation and Love🧿 to your library and receive updates
or
#12oppressed
Mga Alituntunin ng Nilalaman
Magugustuhan mo rin ang
π™·πš’πšœ π™Ύπš‹πšœπšŽπšœπšœπš’πš˜πš— - π™·πš’πšœ πš†πš’πšπšŽ ni kiaraR01
13 Parte Ongoing Mature
π™°πš 𝟷𝟾 πšœπš‘πšŽ 𝚐𝚘𝚝 πš–πšŠπš›πš›πš’πšŽπš 𝚝𝚘 πš‘πš’πš–, πš•πšŽπšŠπšŸπš’πš—πš πšŠπš•πš• πš‘πšŽπš› πšπš›πšŽπšŠπš–πšœ πš‹πšŽπš‘πš’πš—πš πšœπš‘πšŽ πš‘πšŠπš 𝚝𝚘 πšŠπšπš“πšžπšœπš 𝚝𝚘 πš‘πš’πšœ πšπš›πšŠπšπš’πšπš’πš˜πš—πšŠπš• 𝚠𝚊𝚒𝚜. π™·πšŽ πš πšŠπšœπš—'𝚝 πš‹πšŠπš, πš“πšžπšœπš πš’πš—πšπš’πš–πš’πšπšŠπšπš’πš—πš πšŠπš—πš πšŸπšŽπš›πš’ πšπš›πšŠπšπš’πšπš’πš˜πš—πšŠπš•. π™Έπš 𝚠𝚊𝚜 πšπš˜πšžπšπš‘ 𝚝𝚘 𝚐𝚎𝚝 πšŠπšπš“πšžπšœπšπšŽπš 𝚝𝚘 πš‘πš’πšœ 𝚠𝚊𝚒𝚜 πš’πš— πšπš‘πšŽ πš‹πšŽπšπš’πš—πš—πš’πš—πš πš‹πšžπš πš‚πš‘πšŽ πšœπš•πš˜πš πš•πš’ 𝚐𝚘𝚝 πšŠπšŒπšŒπšžπšœπšπš˜πš–πšŽπš 𝚝𝚘 πš‘πšŽπš› πš—πšŽπš  πš•πš’πšπšŽ πš‚πš‘πšŽ 𝚠𝚊𝚜 πš‚πšŠπš’πš›πšŠ 𝚁𝚎𝚍𝚍𝚒 πš πš’πšπšŽ 𝚘𝚏 πšπš‘πšŽ πš‹πš’πš•πš•πš’πš˜πš—πšŠπš’πš›πšŽ πš‹πšžπšœπš’πš—πšŽπšœπšœ πšπš’πšŒπš˜πš˜πš— πš…πš’πš”πš›πšŠπš– 𝚁𝚎𝚍𝚍𝚒 πš†πš’πšπš‘ πšπš‘πš›πšŽπšŽ πš”πš’πšπšœ πš—πš˜πš  πš“πš˜πš’πš— πš‘πšŽπš› 𝚊𝚜 πšœπš‘πšŽ πš—πšŠπšŸπš’πšπšŠπšπšŽπšœ πš‘πšŽπš› πš•πš’πšπšŽ
κœ°Κ€α΄α΄ Κœα΄‡Κ€α΄‡ ᴛᴏ ᴇᴛᴇʀɴΙͺᴛʏ ni kiaraR01
48 Parte Kumpleto Mature
α΄€Κ™ΚœΙͺΚ€α΄€α΄Š ꜱΙͺɴɒʜ ᴍᴇᴑᴀʀ (34)Ιͺꜱ α΄€ Κ€α΄œα΄›ΚœΚŸα΄‡κœ±κœ± α΄α΄Ι΄α΄€Κ€α΄„Κœ ᴄᴏᴍΙͺΙ΄Ι’ κœ°Κ€α΄α΄ α΄›Κœα΄‡ Κ€α΄Κα΄€ΚŸ κœ°α΄€α΄Ιͺʟʏ ᴏꜰ ᴍᴇᴑᴀʀ. Κœα΄‡ Ιͺꜱ α΄€ κœ±ΚœΚ€α΄‡α΄‘α΄… Κ™α΄œκœ±ΙͺΙ΄α΄‡κœ±κœ±α΄α΄€Ι΄. ᴛᴏᴏ α΄„α΄œΙ΄Ι΄ΙͺΙ΄Ι’ ᴇᴠᴇɴ κœ°α΄Κ€ ʜΙͺꜱ ᴇɴᴇᴍΙͺα΄‡κœ± ᴛᴏ α΄„α΄€α΄›α΄„Κœ ᴏɴ ᴛᴏ ʜΙͺᴍ. Κœα΄‡ α΄‘α΄€κœ± α΄€ΚŸα΄‘α΄€Κκœ± ᴛᴑᴏ κœ±α΄›α΄‡α΄˜κœ± α΄€Κœα΄‡α΄€α΄… ᴏꜰ ᴇᴠᴇʀʏᴏɴᴇ. Κœα΄‡ α΄‘α΄€κœ± α΄€ ᴠᴇʀʏ α΄…α΄€Ι΄Ι’α΄‡Κ€α΄α΄œκœ± κœ°α΄Κ€α΄„α΄‡ ᴛᴏ ʀᴇᴄᴋᴏɴ α΄‘Ιͺα΄›Κœ. ᴀʏᴀᴀɴᴀ α΄€Κ™ΚœΙͺΚ€α΄€α΄Š ꜱΙͺɴɒʜ ᴍᴇᴑᴀʀ (28) α΄‘Ιͺκœ°α΄‡ ᴏꜰ α΄€Κ™ΚœΙͺΚ€α΄€α΄Š ᴍᴀʀʀΙͺᴇᴅ ᴛᴏ ʜΙͺᴍ κœ°α΄Κ€ α΄€ΚŸα΄α΄κœ±α΄› κœ±α΄‡α΄ α΄‡Ι΄ Κα΄‡α΄€Κ€κœ±. Κ™α΄‡α΄€α΄œα΄›Ιͺꜰᴜʟ α΄˜α΄€α΄›Ιͺᴇɴᴛ α΄€Ι΄α΄… α΄‹ΙͺΙ΄α΄… ᴑᴇʀᴇ α΄›Κœα΄‡ α΄‘α΄Κ€α΄…κœ± α΄›Κœα΄€α΄› α΄…α΄‡κœ±α΄„Κ€Ιͺʙᴇᴅ Κœα΄‡Κ€. ᴊᴏΙͺΙ΄ α΄›Κœα΄‡ΙͺΚ€ α΄Šα΄α΄œΚ€Ι΄α΄‡Κ ᴏꜰ ΚŸα΄α΄ α΄‡ κœ°Κ€α΄α΄ Κœα΄‡Κ€α΄‡ ᴛᴏ ᴇᴛᴇʀɴΙͺᴛʏ. α΄˜α΄‡α΄‡α΄˜ ΙͺΙ΄ ᴛᴏ ᴋɴᴏᴑ ᴍᴏʀᴇ α΄€Κ™α΄α΄œα΄› α΄›Κœα΄‡ΙͺΚ€ ʟΙͺκœ°α΄‡ Cover by- _navyblueee_
Magugustuhan mo rin ang
Slide 1 of 10
π™·πš’πšœ π™Ύπš‹πšœπšŽπšœπšœπš’πš˜πš— - π™·πš’πšœ πš†πš’πšπšŽ cover
TAMED AND TAINTED cover
Tumhari Preyasi  cover
Mr and Mrs Thakur  cover
URBAN MAID  cover
Prema ❀️ cover
RUDVIKA: Bound by Fate cover
Mera Rangsaaz cover
κœ°Κ€α΄α΄ Κœα΄‡Κ€α΄‡ ᴛᴏ ᴇᴛᴇʀɴΙͺᴛʏ cover
A Housewife : Burden  cover

π™·πš’πšœ π™Ύπš‹πšœπšŽπšœπšœπš’πš˜πš— - π™·πš’πšœ πš†πš’πšπšŽ

13 Parte Ongoing Mature

π™°πš 𝟷𝟾 πšœπš‘πšŽ 𝚐𝚘𝚝 πš–πšŠπš›πš›πš’πšŽπš 𝚝𝚘 πš‘πš’πš–, πš•πšŽπšŠπšŸπš’πš—πš πšŠπš•πš• πš‘πšŽπš› πšπš›πšŽπšŠπš–πšœ πš‹πšŽπš‘πš’πš—πš πšœπš‘πšŽ πš‘πšŠπš 𝚝𝚘 πšŠπšπš“πšžπšœπš 𝚝𝚘 πš‘πš’πšœ πšπš›πšŠπšπš’πšπš’πš˜πš—πšŠπš• 𝚠𝚊𝚒𝚜. π™·πšŽ πš πšŠπšœπš—'𝚝 πš‹πšŠπš, πš“πšžπšœπš πš’πš—πšπš’πš–πš’πšπšŠπšπš’πš—πš πšŠπš—πš πšŸπšŽπš›πš’ πšπš›πšŠπšπš’πšπš’πš˜πš—πšŠπš•. π™Έπš 𝚠𝚊𝚜 πšπš˜πšžπšπš‘ 𝚝𝚘 𝚐𝚎𝚝 πšŠπšπš“πšžπšœπšπšŽπš 𝚝𝚘 πš‘πš’πšœ 𝚠𝚊𝚒𝚜 πš’πš— πšπš‘πšŽ πš‹πšŽπšπš’πš—πš—πš’πš—πš πš‹πšžπš πš‚πš‘πšŽ πšœπš•πš˜πš πš•πš’ 𝚐𝚘𝚝 πšŠπšŒπšŒπšžπšœπšπš˜πš–πšŽπš 𝚝𝚘 πš‘πšŽπš› πš—πšŽπš  πš•πš’πšπšŽ πš‚πš‘πšŽ 𝚠𝚊𝚜 πš‚πšŠπš’πš›πšŠ 𝚁𝚎𝚍𝚍𝚒 πš πš’πšπšŽ 𝚘𝚏 πšπš‘πšŽ πš‹πš’πš•πš•πš’πš˜πš—πšŠπš’πš›πšŽ πš‹πšžπšœπš’πš—πšŽπšœπšœ πšπš’πšŒπš˜πš˜πš— πš…πš’πš”πš›πšŠπš– 𝚁𝚎𝚍𝚍𝚒 πš†πš’πšπš‘ πšπš‘πš›πšŽπšŽ πš”πš’πšπšœ πš—πš˜πš  πš“πš˜πš’πš— πš‘πšŽπš› 𝚊𝚜 πšœπš‘πšŽ πš—πšŠπšŸπš’πšπšŠπšπšŽπšœ πš‘πšŽπš› πš•πš’πšπšŽ