Speak your language (epistolary)

Speak your language (epistolary)

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WpMetadataNoticeLast published Fri, Jul 26, 2024
Diana develops a crush on one of the customers at her coffee shop. Gathering up to courage to ask for his phone number she finally had a chance to message him. But little did she know her crush gave the wrong number, to the wrong person, to someone who can't even speak Tagalog. And before she realized it was already too late. - epistolary - This is a work of fiction. Names, characters, places and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. This story is UNEDITED and may have the following but not limited to: grammatical errors, punctuation mistakes, incorrect names, wrong spelling. Only after the story's creation is done will this be edited so please bear with me.
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Alexandria She left Juan Miguel to chase her dreams Now that she's prima ballerina, she chooses to follow her heart The plan to make him fall in love with her has been curated She's bound to capture his heart again Will she successfully win his affections or is she bound to break her own? Juan Miguel A song said comparisons are easy when you've tasted perfection Alexandria was his definition of it He built his life and future around her But she left him high and dry to pursue ballet She's back to capture his cold heart Will he let her make him vulnerable again or will he choose to protect his broken heart? This story is written in Tagalog/English. R-18 (SPG) *** WARNING: This story contains flawed characters. *** DISCLAIMER: No part of this manuscript may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the author. This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author's imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. ***

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