The Mortal's Unmaking
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- Parts 4
She was a fallen fae princess. He was a mortal man. Together, they were never meant to survive.
Selwyn Vaelora was once a noble of the fae courts-until betrayal cast her into exile, her magic broken, her name branded as treason. Hunted by those who once claimed to love her, she flees to the human world, wounded and powerless.
Kieran Thorne never believed in fae legends-until he finds one bleeding in the woods. A man of logic and war, he knows better than to trust creatures of magic and deception. And yet, when Selwyn collapses at his feet, he does the one thing no human should ever do.
He saves her.
Now bound by an oath he does not understand, Kieran is thrust into a world of whispered lies, deadly magic, and ancient curses. As shadows of Selwyn's past close in, he must decide:
Is she his greatest mistake? Or the only thing worth dying for?
Perfect for fans of forbidden romance, dark fae courts, and slow-burn enemies-to-lovers tension, this novel weaves a tale of magic, betrayal, and an impossible love that could change the fate of two worlds.
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Please note that this story may depict disturbing and traumatizing instances of death, sexual assault, abuse, and self-injurious behavior ▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎ "You can't kill gods, but you can kill their freedom, that's what makes them just as vulnerable as mortal beings." In Whyrlsong, Chaos is fate, and the gods beneath it are its Vessels. Silvanya is among the chosen Vessels of war incarnate. At the peak of her prowess, a betrayal unfurls, forcing gods to turn against each other. Silvanya is the first to fall as she is cursed to an eternal slumber with a dagger driven to the center of her chest. And it only takes an oath-bound mortal like Aerys, to pull the dagger from her heart and have her loyalty under his whim. With a broken Vessel at his side, it is up to him whether he uses her for his own agenda or free her from her cursed shackles and let chaos lead the rest. ▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎ This story is a work in progress and will therefore be subject to changes in plotlines.
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