The City of Knives

Ten individuals-each from different backgrounds, cities, and realities-are inexplicably drawn to Glasgow on the same day. Some are lured by a letter, others by a sound, a vision, or an event that makes no logical sense. None of them remember meeting each other, yet their paths begin to intersect with eerie familiarity.

They each carry something they didn't before-a tape, a memory, a scar that wasn't there, or a repeating dream about a room with no doors.

As they gather in an abandoned underground theatre (which each believes to be something different: a hospital, a cathedral, a childhood home), they begin to remember slivers of shared time-moments they couldn't have lived, but somehow did.

A mirror stands center stage.
Behind it: The Client.
Alive. Or not.

Each character must confront the darkest version of themselves-sometimes literally-and realize that they are not separate stories, but reflections fractured from one source.

They've been part of an experiment. Or a punishment. Or a loop.

The city itself begins to twist-buildings changing shape, time stuttering, voices overlapping. Some will escape. Some won't.

And someone, it turns out, was never real to begin with.