Echo Protocol

Echo Protocol

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WpMetadataReadMatureOngoing1h 50m
WpMetadataNoticeLast published Wed, Oct 1, 2025
BL BL BL BL A bodyguard on the run. A psychologist with ghosts in his voice. They weren't meant to save each other-only to endure. Yet between echoes of gunfire and the ghosts of their pasts, they find themselves asking the question neither dares to voice. "What if survival means surrendering to the one who could destroy you?" *** Updates had been temporarily on hold HAHAHA this is under massive editing. Thank you!
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Isak has always been afraid to sleep. In the past, he's never known if he's going to wake in his own bed or somewhere strange that he's never been. He never knows how much time has passed. Months can pass in hours. The people around Isak believe it's all in his head, that what he claims isn't possible, that he just disappears. He insists he's pulled across time and the world as he dreams, but this time it's different. Unclear if he's in the past or a just a different world, he waits to go home, if he can figure out where home is. Charzaphir Simnaril is a warrior and weapon used by his brother to keep the local populace cowed. When he comes across Isak, he dismisses him as a spy and sends him to the dungeons thinking that he's done with him. However, when his brother forces him to handle a work detail, Charzaphir discovers Isak is part of it. Isak, who can't hold a sword and acts as though he can't understand the language. Isak, who has secrets that he's not sharing. Isak, the one he has an undeniable connection to whenever he's near. Can they find common ground before Isak falls asleep again and disappears forever? *** WARNINGS: The story contains mature themes and language not suitable for children. Some chapters include graphic depictions of torture and violence, language, depictions or discussions of physical abuse, off-screen sexual assault, suicidal ideation, forced medical treatment, and other themes that may be triggering for some people. Read at your own discretion. In Twain is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or used fictitiously. Any resemblance to actual persons living or dead, business establishments, events and locales is entirely coincidental.

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