BITTER TASTE 2.

BITTER TASTE 2.

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WpMetadataNoticeÚltima publicación vie, ago 8, 2025
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SEQUEL TO BITTER TASTE. ( the title is really "and the bitter taste sickens" but BITTER TASTE 2. was easier to write) π”Œ . name ! ΰ­§ in which βž₯ (name) colus and her very best friends find themselves at college. πŸ”—she's still locked in on Griffin, maybe she will be for life. but will it hold when other guys are pining for her? a specific •killerΚΊ has also taken an interest in, (name). who will be cut off?-Λ‹Λβœ„β”ˆβ”ˆβ”ˆβ”ˆ find out by reading !! OC (GRIFFIN) X READER MICKEY X READER - the lazy author αΆ» 𝗓 𐰁 .ᐟ
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πš†πšŠπš›πš›πš’πš—πš πšŠπš•πš• πš—πš’πšπš‘πš, πšŠπš‹πš‘πš˜πš›πš›πšŽπš—πš πšŠπš—πš πšπš›πš’πšπšŽ. 𝚈𝚘𝚞 πšœπšŽπšŽπš– 𝚝𝚘 πšπš˜πš›πšπšŽπš 𝚒𝚘𝚞 πšŠπš—πšœπš πšŽπš› 𝚝𝚘 πš–πšŽ. γ€Šγ€‹γ€Šγ€‹ It'd been 3 years since Windsor, and 4 since Woodsboro. You were invited to work on the film 'Stab 3' as a writer along with Randy, considering he knew the characters and you had experience the Woodsboro Massacre first hand. But yet another copycat killer emerges, and everyone left after Woodsboro is brought together to defeat another monster. All with help from your friendly neighborhood psychopaths. γ€Šγ€‹γ€Šγ€‹ 𝚈𝚘𝚞 πš–πšžπšœπš πš‹πšŽ 𝚜𝚘 πšŠπš›πš›πš˜πšπšŠπš—πš 𝚝𝚘 πšπš‘πš’πš—πš” πšπš‘πšŠπš πšŽπš’πšπš‘πšŽπš› 𝚘𝚏 𝚒𝚘𝚞 πšŒπšŠπš— πšŒπš˜πš—πšπš›πš˜πš• πšπš‘πšŽ πšœπš˜πšžπš• 𝚜𝚘 πš πš‘πš˜πš•πš•πš’, πš πš‘πšŽπš— 𝚝𝚘 πš‹πšŽ πš˜πš—πšŽ πš πš‘πš˜πš•πšŽ 𝚒𝚘𝚞 πšŒπšŠπš—'𝚝 πš‘πš˜πš•πš πšœπš˜πš•πšŽπš•πš’. γ€Šγ€‹γ€Šγ€‹ TW: blood, gore, death, murder, small children, characters making poor choices Reader discretion is advised γ€Šγ€‹γ€Šγ€‹ π™·πšŽπš›πšŽ πš’πš— πš–πš’ πš”πš’πš—πšπšπš˜πš–, 𝙸 πšŠπš– πš’πš˜πšžπš› π™»πš˜πš›πš. 𝙸 πš˜πš›πšπšŽπš› 𝚒𝚘𝚞 𝚝𝚘 πšŒπš˜πš πšŽπš› πšŠπš—πš πš™πš›πšŠπš’! γ€Šγ€‹γ€Šγ€‹ THIS IS BOOK 3 OF THE SERIES. You'll need to read the first 2 for much needed context. γ€Šγ€‹γ€Šγ€‹ πš‚πšŽπšŽ πš‘πš˜πš  πšπš‘πšŽπš’ πšπš’πšπš‘πš πšŠπš•πš• 𝚍𝚊𝚒? πšƒπš‘πšŽ πš˜πšπš‘πšŽπš› πš‘πšŠπš•πš πš πš˜πš—'𝚝 πš‘πšŽπšŠπš› πš πš‘πšŠπš'𝚜 πš‘πšŠπš 𝚝𝚘 𝚜𝚊𝚒; πš’πš'𝚜 πš“πšžπšœπš 𝚊 πšπšŠπš–πšŽ πšπš‘πšŽπš’ πš™πš•πšŠπš’ πš‘πšŽπš›πšŽ πš’πš— πšπš‘πš’πšœ πš•πšŠπš‹πš’πš›πš’πš—πšπš‘, πš–πšŠπš£πšŽ

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