Lana Mae Wolff is used to quiet.
Soft voices, soft sunlight, soft edges.
She grew up in Florida heat where cicadas hummed and cherry sodas fizzed in her mother's hand.
Now she's in Utah, where everything is too clean, too quiet, too far from the ocean she misses.
Her mother has a new husband, Dwight Hansen, a man built from discipline, order, and a Navy life he can't leave behind. He's polite, watchful, controlled-but in a house full of children, chaos finds him. Toby, Lana's little brother, tests every boundary. Dwight's own kids, Pearl and Skippy, navigate the tension in their own ways.
Dwight tries to be the "good man."
He tries to be steady, calm, unshakable.
But there's something about Lana-the way she moves, the quiet confidence in her gaze, the way she sees everything he wants to ignore-that makes him question his own control.
This a forbidden love story.
It's a house full of nearly-strangers learning how to live together,
a girl noticing everything,
a man trying to hold it all together,
and the quiet tension of family, control, and secrets that refuse to stay buried.
In Utah, among pine-scented air and tidy streets, Lana Mae learns that home isn't always safe, and the people who live there aren't always what they seem.
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Penelope Featherington is graduating from Oxford and after a long six years of ruthless studies (and hardly any decent sex) she finds herself at a loss with substandard men who are lacking in the 'satisfaction' requirements.
However, when she gets a call regarding a new job opening that seems perfect for her, things seem to be looking up... But after a night in a swanky new club in London, she finds herself in a rather peculiar situation as the man who completely blew her mind last night is sitting opposite her in the hiring chair.
Oops - that old (Sleeping with the boss but didn't know he was your boss) trope.
This is a Penthony story - do not read if you do not like this ship.
It is a one shot right now; however I may continue in future.